Peculiarities of the conflict “love – duty” in Zong Pu’s short story “Red Beans”
Journal Title: Науковий вісник Міжнародного гуманітарного університету. Серія «Філологія» - Year 2016, Vol 25, Issue 1
Abstract
A short novel “Red Beans” by the contemporary Chinese writer Zong Pu, in particular, the conflict “love – duty” which represents a non-traditional female model of conflict is the key point of this research. The peculiarities of depiction of the main characters and author’s symbols as the means of realization of this conflict have been analyzed as well.
Authors and Affiliations
О. В. Карпенко, Л. М. Пойнар
Keywords
Related Articles
- EP ID EP458802
- DOI -
- Views 111
- Downloads 0
The derivational features of the verb “have” from the Explanatory Dictionary of the Living Great Russian Language by V.I. Dahl
The derivational potential for the dominant “have” is analyzed using the Explanatory Dictionary of the Living Great Russian Language by V.I. Dahl as the source material. Involving folk and colloquial lexical units, the a...
The canonical texts-shaped structure in the Ukrainian and Belarusian folk songs
The article discusses the concept of canonical (by formulas, universal) language tekstoobrazovanija Ukrainian and Belarusian folk songs. Canonical structures conceptualized as the traditional, legitimate units that form...
Dynamic characteristics of speech of British chefs in the gender aspect
This study is devoted to the study of prosodic (dynamic) parameters of speech of British chefs Delia Smith and Gordon Ramsay while presenting cooking recipes. The conducted research has shown that the dynamic feature of...
Transmission of Parental Trauma in the Psychology of Children (based on the novel by S. Protsiuk “Infection”)
The article is dedicated to the peculiarities of the transmission of parental trauma in the process of psychological maturation of the child. It was found that individual and cultural trauma Nicholas Lobyuk led to the fo...
Artistic-stylistic potential of linguoculturema in the fiction discourse of the late XX – early XXI centuries
The article deals with the stylistic role of linguoculturema, linguoideologema, intertextema in the fiction discourse of the late XX – early XXI centuries.