„Piekło” XX wieku – translacje wizualne poematu Dantego w ujęciu Roberta Rauschenberga
Journal Title: Przegląd Humanistyczny - Year 2016, Vol 60, Issue 1
Abstract
The aim of the text is to analyse Robert Rauschenberg’s illustrations for Dante’s Inferno as the examples of a correspondence between literature and visual arts. It also raises the issues of the mutual relation between a word and an image and the function of an illustration in a writing. In addition, two other polysemiotic artworks of American precursor of pop-art are discussed.<br/><br/>
Authors and Affiliations
Katarzyna Wakuła
Epistolarny news zesłańczy (krąg Onufrego Pietraszkiewicza i Adolfa Januszkiewicza, Syberia Zachodnia)
The author attempts to discover signs of poetics of news in the exile letters written in the first half of the 19th century. The paper discusses two overlapping correspondence circles related to outstanding exiles, activ...
Alternatywna trasa postkolonializmu: Max Weber o sprawie polskiej
The article analyses Max Weber’s position regarding the so-called Polish question from the point of view of post-colonial theory. The author discusses the circumstances of Weber’s scientific interest in the Polish questi...
Żywy trup jako alegoria polityczna
In this article I will interpret the figure of living dead in terms of political allegory by relating three levels: the level of narration, theory, by which the narration can be decoded, and political situation, a sympto...
Mistyka (w) dialogu
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Wstęp ("Lalka" Bolesław Prus)
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