Place of Multimedia Technics in Contemporary Greek Art In Lucas Samaras Sample
Journal Title: Journal of the Human and Social Science Researches - Year 2016, Vol 5, Issue 6
Abstract
Studies and outputs that are executed by Ancient Greeks in plastic arts have been quite often used as a reference for the West-centered plastic arts aesthetics in the historical process. However, especially in the 20th century (together with intellectual perception that is updated by the effect of social events) radical outputs became more prominent against classical style and many Western artists in their outputs started to show tendency in this direction either cognitively or objectively. Contemporary Greek artists in this new sense of art which is thoroughly globalized with the last quarter of 20th century did not fail to improve on an aesthetic line which is compatible with the Europe and United States of America and produced multimedia based work of arts that generally utilize from interdisciplinary interaction. This situation that is mentioned within the text also has been examined with various samples, Lucas Samaras (1936) being in the first place, and influence of Western art which updates itself with an increasing acceleration on today’s Greek artists has been discussed.
Authors and Affiliations
Burak BOYRAZ| Arş. Gör., Yıldız Teknik Üniversitesi, Sanat ve Tasarım Fakültesi, Sanat Bölümü bboyraz@yildiz.edu.tr
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