, Points of View and the Daily Press at the Turn of the 19th and 20th Centuries
Journal Title: Prace Filologiczne. Literaturoznawstwo - Year 2018, Vol 8, Issue 0
Abstract
The following article concerns the issue of point of view in Polish daily newspapers at the end of the 19th century. The daily is considered here as a coherent and cogent literary work based on fictional as well as non-fictional genres and their specific layout. The author proves that what makes the press characteristic in terms of points of view is not so much the introduction of a new, individual voice but rather the introduction of a collective perspective in several variants. Literary fictional genres serve as an instrument of the counterpoint in that they provide an individual position, usually one that is opposed to what one can read in the feature sections.
Authors and Affiliations
Przemysław Pietrzak
Second-Person Narratives in Non-Fiction
The aim of the article is to analyse the particularity of second-person narratives in non-fiction. Their special status results from the fact that telling another person his or her own story is a convention in fiction bu...
Point of View and the Modalities of Narrative
In this paper I will envisage the relationship between narrative modalities and point of view with the help of the narratological theory of Christo Todorov, who is a representative of the Bulgarian Guillaumist school. Fi...
Between Testimony and Irony: Points of View in “Chernobyl Prayer. A Chronicle of the Future” by Swietlana Alexievich
The article is an analysis of Swietlana Alexievich’s book Chernobyl Prayer. A Chronicle of the Future and aims to examine its predominant narrative strategies. The author points to the role of monologues, mottos, irony,...
[O zerowym punkcie widzenia w dramacie]
The author discusses the question of the so-called zero viewpoint in the context of the presence of epic elements in the dramatic text. Using the category of perspective in her study, she observes that one of the charact...
On the Zero Viewpoint in Drama
The author discusses the question of the so-called zero viewpoint in the context of the presence of epic elements in the dramatic text. Using the category of perspective in her study, she observes that one of the charact...