This article provides the reader with an overview of selected aspects of cultural significance of grime music and related phenomena. This musical genre creates an explicit background of contemporary social relations exis...
The aim of the article is to point out that popular culture, in the framework of which popular song contests function, although associated with the practices, needs, experiences and traditions of ordinary people, is a fo...
In Specters of Marx, Derrida argues that all writing is ghost-driven, for “everyone reads, acts, writes with his or her ghosts.” Modernist poetry can be described as particularly “spectral”, as it often locates itself on...
EP ID EP52738
DOI -
Views 61
Downloads 0
How To Cite
Michał Danielewicz, Alek Tarkowski (2015). Prawo autorskie w czasach zmiany // Społeczne wyobrażenia i normy. Kultura Popularna, 3(41),
-. https://europub.co.uk/articles/-A-52738
Sign In Europub
For faster login or register use your social account.
Kino w Sieci. Jak pisać o filmie? Cały numer
Grime jako muzyka i etnografia kryzysu
This article provides the reader with an overview of selected aspects of cultural significance of grime music and related phenomena. This musical genre creates an explicit background of contemporary social relations exis...
Also These Voices. Technology and Gender in the Practice of Fanvidding
Zimna wojna w popkulturze. Czołówki festiwali piosenki Interwizji i propaganda sukcesu.
The aim of the article is to point out that popular culture, in the framework of which popular song contests function, although associated with the practices, needs, experiences and traditions of ordinary people, is a fo...
“It ghosts”: Language as a Haunted Dwelling in Selected Poems by Robert Frost, Wallace Stevens and Marianne Moore
In Specters of Marx, Derrida argues that all writing is ghost-driven, for “everyone reads, acts, writes with his or her ghosts.” Modernist poetry can be described as particularly “spectral”, as it often locates itself on...