PROTOTYPES OF ENSEMBLE COMBINATIONS WITH THE TRUMPET IN THE PRIMITIVE AND ANCIENT CIVILIZATION WORLD
Journal Title: World Science - Year 2017, Vol 1, Issue 8
Abstract
The article is followed by the main ways of the formation of the trumpet and its original prototypes as an ensemble instrument. Based on ethno-organical researches and researches of the archaic musical culture of mankind, the primary ensemble functionality of the trumpet and its ancestors in primitive societies, in particular - in the ethnic tradition of the Slavs, and, in particular, Ukrainians, was discovered. The leading factors in the ensemble nature of the application of this type of instrument are its bright communicative ability (volume) and duality-reduplication in the dual connection (trumpet-dad + trumpet-mom), which has gained a lasting sacred functionality. The playing of primitive people even on primitive megaphones was used for the purpose of modifying and amplifying the human voice of alarm or burglar, or otherwise offensive aggressive, intimidating animals or demons goal, then, finding lasting and substantial value in various ceremoniesand rituals, (Jewish shofar) And especially in military events (in particular, Egyptian, Indian, Roman trumpets). In the pre-civilization period, trumpets, in one type or mixed ensembles, were associated with the sacred tradition gaining legendary mystical significance. The active use of trumpets in various ensembles, is demonstrating the use of the ancestors of the trumpet family as the ensemble instruments, represents as a constant type of ensemble: both in monodic quality and in ensembles of purely wind instruments, but the most widely used in the ancient period, the pipe receives as one of the leading instruments of ensembles of mixedtype, which is a prototype of the mobile-variant type of the ensemble. Elements of archaic, oriental, authentic folk ensemble music have found their bright embodiment in the innovative, avant-garde chamber and instrumental compositions of professional musical culture of the end of the XX-beginning of the XXI centuries in the stream of such areas as neoarhajic and neo-folklorism, where one of the sign elements will be the use of the voice of the trumpet Its etymologically primary meanings, which this tool gained at the dawn of the development of the culture of mankind.
Authors and Affiliations
Anatoliy Mykolayovych Komar
Keywords
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