PUBLIC PROTEST AS A SYMBOLIC ACT: PHILOSOPHICAL AND CULTURAL ANALYSIS

Abstract

The objective of the given research is to study the phenomenon of hybrid symbolism as both heuristic and counterproductive factor of a person’s self-identification in a transitional society. The article studies Ukrainian experience of national self-identification reconstruction taking place in the times of profound socio-cultural transformation and the phenomenon of hybrid symbols as an ambivalent factor of person’s self-identification. Complexity and variety of national self-identification realization in the space of the innovative symbols of the epoch is a relevant and not enough studied problem, which exists rather as a subject matter of publicistic writing than of scientific research. The research methodology is based on the use of analytical, comparative and hypothetical-deductive methods for revealing and explaining the symbolic nature of public protest. Scientific novelty of the results obtained in the course of the research consists in the use of the phenomenon of public protest as a problem field of formation of new cultural symbols of the era. Public protest as a reaction to social troubles, corruption dominance and dependence on other states becomes a powerful factor of making the process of national and ethnic self-identification more active. The symbols accompaning public protest remind an insight, and a certain public enlightenment that appears unconsciously, by impulse, and partly unwillingly. New symbols are not developed purposefully; they are a result of social crises and transformations. Conclusions. The creation of new national symbols is a long and complicated process, as the development of modern Ukrainian society itself, which cannot be based only on ethnic or national self-identification. Public protest is a ritual action, which presupposes national and ethnic self-identification, multicultural and multiethnic national character realization and political nation development. Ukrainian protest phenomenon has demonstrated that it is a symbolic action and an act of transgression, when the doer is being transformed and changed and when the transitional ritual, accompanied by the process of making its own history and modern identity, is taking place.

Authors and Affiliations

Ganna Stoyatska

Keywords

Related Articles

LIFE PATH AND A CREATIVE ACTIVITY OF O.S. MOUSSIENKO (ON THE OCCASION OF THE 80TH ANNIVERSARY)

The purpose of work is to study and analyze the life path and the creative activity of the famous Ukrainian film critic and the teacher, the professor, the Honored Artist of Ukraine, the corresponding member of the Natio...

Developing abilities and skills of students majoring in choreography as the future lecturers of the cho-reography

Purpose of Article. The article is to define the basic creative skills of the students specialization Choreography for the formation of their professional skills and knowledge for future choreographic work. Methodology....

Some aspects of the intonation-semantic analysis of a musical text.

The purpose of the work is to analyze the intonation-lexical layer of a piece not in terms of its unique essence, but as a complex symbolic space, characterized by semantic layering. The research methodology consists in...

Ideological component in the system of public administration of development of cultural sphere in Ukraine

The purpose of article is to determine the degree of influence of the ideological component in the system of public administration of development of cultural sphere in Ukraine. The methodology of the study is based on th...

Martha Graham’s art in the context of modern European dance

Purpose of Article. The purpose of the article is to analyse the main important steps and the significance of Martha Graham’s creative work, who was a famous American dancer. The author pays great attention to Martha Gra...

Download PDF file
  • EP ID EP215426
  • DOI -
  • Views 88
  • Downloads 0

How To Cite

Ganna Stoyatska (2016). PUBLIC PROTEST AS A SYMBOLIC ACT: PHILOSOPHICAL AND CULTURAL ANALYSIS. Вісник Національної академії керівних кадрів культури і мистецтв, 1(4), 38-41. https://europub.co.uk/articles/-A-215426