Quand la « drôle de guerre » mobilise la Première Guerre mondiale : les représentations culturelles de 1914 1918 chez les combattants français de septembre 1939 à mai 1940

Journal Title: Lublin Studies in Modern Languages and Literature - Year 2015, Vol 39, Issue 39

Abstract

The « drôle de guerre » (phoney war) that lasted from September 3rd , 1939 till May 10th, 1940 was a strange period during which both armies faced each other without fighting. Approaches to this period have not been renewed since 1990 and Jean-Louis Crémieux-Brilhac's study on the French people in 1940. The discovery of new sources in the Bibliothèque de Documentation Internationale et Contemporaine and the Service Historique de la Défense, of soldier newpapers, allows us to write a new historical study of the representations and the mentalities of French soldiers during World War Two. Representations of the First World War during the « drôle de guerre », through the legacy of the culture de guerre, modeled the thinking of soldiers and officers. The conduct of the war and the perception of the differents actors – fighters and civilians – were under that influence. Because of the absence of battle, the First World War's culture de guerre was used by government, propaganda departments and Supreme headquarters to mobilize the soldiers in a war that they did not understand. But if the First World War was omnipresent in the representations of war among French soldiers from September 1939 till May 1940, the reality of war was totally different. The gap between thinking and action finally led to strategic and military errors that ended with the French defeat in June 1940.

Authors and Affiliations

Amaury Bernard

Keywords

Related Articles

Artikulatorische Vielfalt des /r/-Phonems im heutigen Standarddeutschen

The paper discusses articulatory diversity of the /r/ sound in present-day German. Both consonantal and vocalic values of the rhotic are discussed. The choice between the consonantal and the vocalic forms is motivated by...

The Fertility of the Supernatural: Stuart Neville’s The Ghosts of Belfast

In The Ghosts of Belfast (2009), spectres of the victims of civil war in Northern Ireland haunt Gerry Fegan, a former “soldier” and assassin. Picking up the metaphorical cue from the epigraph to Neville’s novel – “the pl...

Violence as Spectacle: Happy Gothic in Ben Aaronovitch’s Rivers of London

Discussing the specificity of the Gothic plot in Ben Aaronovitch’s Rivers of London, this study focuses on the theatricality of crime which, by blending violence and laughter, by transforming policemen into performers an...

Crossing the Borders of Tradition: Alma López’s Our Lady (1999) and Our Lady of Controversy II (2008).

The focus of my paper is Alma López who draws from indigenous traditions and archetypes in order to rewrite them from a feminist perspective and provide Latinas with alternative paradigms for the construction of the 21st...

Skaz Rulz: (Re-)Oralisation of Contemporary British Fiction

Taking as its starting point the Russian Formalist concept of skaz, this paper discusses a number of contemporary British novels in which the illusion of spontaneous speech is created. It analyses basic textual signals o...

Download PDF file
  • EP ID EP388989
  • DOI 10.17951/lsmll.2015.39.1.76
  • Views 46
  • Downloads 0

How To Cite

Amaury Bernard (2015). Quand la « drôle de guerre » mobilise la Première Guerre mondiale : les représentations culturelles de 1914 1918 chez les combattants français de septembre 1939 à mai 1940. Lublin Studies in Modern Languages and Literature, 39(39), 76-88. https://europub.co.uk/articles/-A-388989