Scenography studies – on the margin of art history and theater studies
Journal Title: Art Inquiry. Recherches sur les arts - Year 2014, Vol 0, Issue
Abstract
Scenography as a domain of artistic activity has always been a liminal art, placed between the visual arts and theater, with the latter being treated as a chiefly literary domain. The history of scenography to date has recorded two moments when it rose to prominence, becoming the “queen” of the spectacle: the Renaissance and modern times. The article will briefly discuss its history, to show the main reasons for the exclusion of scenography from the domain of academic research. The author will survey some recent publications on set design written by practitioners and academics.
Authors and Affiliations
Dominika Łarionow
The Contemporary Dilemmas of Narcissus and Pygmalion. A Study of the Aesthetics of Life.
This article presents two characters from the Greek mythology: Narcissus and Pygmalion. They are two different symbols of human destiny, who share a hyperactive attitude towards unreality/fiction. In their case, what exi...
Neo/modernism – philosophical awareness in art
We are confronting a major problem with naming the artistic and philosophical moment we have found ourselves in. It should be perceived as significant that the numerous names for the artistic and philosophical responses...
Redefining the Concepts of the Avant-Garde as an Example of a Possible Return to Modernism
The paper is an attempt to demonstrate that expanding the definition of the terms relating to 20th century art makes it possible to return it to modernism. Such an approach is possible in relation to the issues that were...
Participatory art, new media and convergence art based on the example of La Fura Dels Baus Group
The article attempts to present various categories of activities related to participatory art that we can find in the extensive artistic output of the Catalan group named La Fura dels Baus. Ever since it was established...
Neomodernist Digital Painting
Since the beginning of the 21st century we can observe a kind of revival of specifically modernist features, characteristics, and aims in the art practice which focuses on creating images. I presume that digital painting...