СЕМАНТИЧНІ АСПЕКТИ ДОПОМІЖНИХ ЕЛЕМЕНТІВ МУЗИЧНОГО МОВЛЕННЯ HARD-AND-HEAVY
Journal Title: Science Review - Year 2018, Vol 6, Issue 1
Abstract
The article describes a complex of hard-and-heavy’s musical language auxiliary elements, their interaction variants and semantic. It is consists of: melodyharmony (thickened monody) of authentic and plagal types, contrasting and subheading polyphony as a means of texture organization; timbre formation based on the flexible use of an articulation`s wide range and technical capabilities of acoustic, electric guitar and voice; sound`s work; non-vocal, non-language, non-musical effects and their various combinations; relatively flexible system of dynamic shades, depending on the timbre characteristics of instruments that are currently playing and applied performances techniques. Expansion of expressive possibilities of tools and voice using decoration, experimental techniques of sound extraction, technical devices; amplification of sound power; sonoristic experiments and stereo effects, instrumental theater; complicated homophonic-polyphonic texture attests to the integration by the sub-genre of the second half of the twentieth century academic music search in the field of the art`s expression. It is provide to put hard-and-heavy in a special place in the genre system of rock-music as a subgenre, which, being in its orthodox direction, first associated elements of mass and academic music. That is why it is an integral part of modern culture and continues to develop for more than half a century.
Authors and Affiliations
Л. Л. Васильєва
Keywords
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