Singing the Faith
Journal Title: In Medias Res - Year 2016, Vol 5, Issue 9
Abstract
The text seeks to suggest two things. Firstly, it wants to deal with the media illiteracy of critics, who, due to their media isolation, and sometimes even a fear of the media, cannot and do not know how to correctly valorise the interest of the wider audience in a particular poet, i.e. his word. Secondly, the logic of stereotypical approach forces criticism into boxes which are not easy to escape, once and for all. The example of Enes Kišević, a poet who has been called an entertainer, is most suitable to showcase the creative strength of transcending both stereotypes and the laws of the media. The creative progress of the poeticism of Enes Kišević thus questions standard critical approaches, often unconsciously defined by the techniques of multiplication, and the accompanying elements of media intervention/mediation.
Authors and Affiliations
Sead Alić
Keywords
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