Spinoza’s God, Leibniz’s Monadology and the Universal Music of Einstein’s Cantorian Nature

Abstract

The paper starts with Spinoza’s conception of nature as a Deity and ends with the golden mean number system as the universal language in quantum physics and cosmology. Between these two main road markers we visit many interconnected transfinite network of ideas, concepts and pioneers who shaped our world view - Zeit Geist and we also ponder many results of cutting edge scientific research. Our tour de force includes but is not limited to Leibniz Monadology, Cantor triadic sets, Heisenberg’s central order, Pauli’s Zweiteilung and reduction of symmetry, ‘tHooft’s dimensional renormalization, Schoenberg’s twelve tune music, Poincare-Lorenz’s nonlinear dynamics and deterministic chaos as well as Gross et al Heterotic superstring theory and Witten's fractal M-Theory. In addition we consider Feigenbaum’s structural universalities as well as how the discovery of the universality of musical harmony led to our present fundamental conjecture that the universe can be likened to a gigantic golden mean computer based on a golden mean number system which we believe to be effectively the deep intrinsic language of our apparent quantum universe.

Authors and Affiliations

M. S. Elnaschie

Keywords

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  • EP ID EP508944
  • DOI -
  • Views 91
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How To Cite

M. S. Elnaschie (2019). Spinoza’s God, Leibniz’s Monadology and the Universal Music of Einstein’s Cantorian Nature. International Journal of Innovation in Science and Mathematics, 7(1), 33-39. https://europub.co.uk/articles/-A-508944