СУРЖИК У МОВЛЕННІ ПЕРСОНАЖІВ СУЧАСНОЇ УКРАЇНСЬКОЇ ДРАМИ
Journal Title: "Український смисл" - Year 2016, Vol 1, Issue 1
Abstract
The article analyzes surzhyk in speech of characters of modern Ukrainian plays which are emphasized by postmodern attention to «small people», «no-heroes». Absence of a hero validates actualization of experiments with language form. In this case analysis of surzhyk as a hybrid language form, which is actively used by modern playwrights in characters’ speeches, is of some interest. Surzhyk refers to Ukrainian-Russian language hybrid which is a consequence of artificial combination of the Ukrainian and Russian languages and which ruins the norms of Ukrainian standard language. Analyzed plays prove the fact that Ukrainian playwrights believe surzhyk has become a conventional phenomenon which occasionally receives the status of «the third language» along with Ukrainian and Russian. In terms of region surzhyk-speaking characters of modern plays represent different regions of Ukraine (the Crimea, Donetsk, Kyiv, L’viv). Depending on author’s artistically aesthetic focus surzhyk-speaking characters can be divided into four types: 1) sharply negative characters with a criminal twist; 2) characters with low level of education and a myopic view of the world; 3) characters who possess adequate level of intellectual development but use surzhyk in order not to stand out; 4) characters who use hyperbolized surzhyk as means of ridiculing low anti-culture. It is proved that genre peculiarities of a play make it impossible to consider plays with surzhyk elements to be pathogenic text. Modern playwrights sometimes bring up the concern of language purity directly, which becomes the momentum in development of play’s plot. The prospects of further research can be seen in investigating the processes of language reformation which are verbalized in dialogues of characters of modern Ukrainian plays.
Authors and Affiliations
Валерія Корольова
Keywords
Related Articles
- EP ID EP177146
- DOI -
- Views 72
- Downloads 0
СТРАТЕГІЧНИЙ ПОТЕНЦІАЛ УЧАСНИКІВ ДРАМАТУРГІЙНОЇ КОМУНІКАЦІЇ
The article analyzes confrontational and cooperative strategies in dialogues of characters of plays by Sergey Shchuchenko. In modern linguistics, along with an active research of communicative strategies in political, ad...
ОСНОВНА ХАРАКТЕРИСТИКА МОВНОЇ КУЛЬТУРИ ДЕРЖАВНИХ СЛУЖБОВЦІВ
The article deals with general characteristic of linguistic culture of civil servants in Ukraine as Ukrainian integration into European Union, globalization processes demand the necessity of highly-qualified state servan...
ОСОБЛИВОСТІ МОВНОГО ВИРАЖЕННЯ МОТИВУ САМОТНОСТІ ЯК КОНЦЕПТУАЛЬНОГО СКЛАДНИКА ХУДОЖНЬОГО СВІТУ В. СВІДЗІНСЬКОГО
The article presents the analysis of verbalization of the motif of loneliness in the poems of V. Svidzinskiy. The purpose of this article is to establish the features of semantic-syntactic organization of the motif of lo...
ПРОБЛЕМИ КУЛЬТУРИ СЛОВА В ЗАСОБАХ МАСОВОЇ ІНФОРМАЦІЇ
The culture of speech stands for compliance with literary norms of pronunciation, stress; ability to consciously use standard forms and expressions; ability to express opinion clearly, concisely, understandably; activity...
ЯВИЩЕ ПЛЕОНАЗМУ В НЕХУДОЖНЬОМУ ПЕРЕКЛАДНОМУ ТЕКСТІ
Tautology and pleonasm are undoubtedly strong expressive means in fiction, folklore, publicistic and colloquial styles. At the same time, in scientific or popular science publications, the compounds mentioned are inappro...