SYMBOLIST AND ORCHESTRA-MIMETIC INSTALLATIONS OF MUSICAL CREATIVITY OF THE XX CENTURY IN THE PROJECTION TO PIANISTIC ART
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2017, Vol 1, Issue 1
Abstract
Purpose of Article. The purpose of the research is to prove natural character of "clavierization" of piano playing in contrast to orchestral theatricality of Liszt’s academic tradition by focusing on aestheticism of symbolistic ("neo-symbolic") tradition of pianistic art, "reconciling" the opposition of the confrontation and the traditionalism of the 1920s – 1970s. Methodology. The methodology of the study consists of such methods as comparative, logical, method of inter-pretation and historical and analytical generalization, which in combination with the intonation approach (B. Asafiev) have created the basis of comparative, cultural and art-criticism approach for solutions of musical-hermeneutic characteristic of piano art transformation in XX century. Scientific novelty. The scientific novelty consists in independence of theoreti-cal idea of stylistic music autonomy among the art directions of XX century and piano performing art as its musical com-ponent. Conclusions. By the end of the twentieth century there was approved the interpretation line of the piano, de-clared in pre-symbolic – symbolic period of the modern style formation and which turned out to be deeply radical in transforming the piano technique. It caused some new instrument design solutions in general (power to the timbre trans-formations that correlate with the organ). Thus, experience of pianistic creativity opposed clavier radicalism in relation to the classical piano orchestra-"piano wires", in comparison with which "drum" coming from the practice of jazz piano, im-plemented in piano technique is very weak antithesis of pianistic tradition as a primitivistic "simplification". In the case of "clavierization" we are entering a new level of performance of complex motor-timbre qualities of sound, which does not exclude the traditional orchestrality – but absorbs it as one of the manifestations of the clavierization.
Authors and Affiliations
Dariia Androsova
Keywords
Related Articles
- EP ID EP366457
- DOI -
- Views 53
- Downloads 0
Mentality as definition of identification in matrix of ukrainian culture
Purpose of Article. The research is dedicated to analysis of Ukrainian mentality in both diachronic and synchronic contexts which give unlimited possibilities for self-reflection and getting to know the culture around fo...
The Theory of Jean-Georges Noverre Activity Ballet in the Context of His Creativity
Purpose of Article. The goal of the research is to open the principles of the activity ballet theory in the interpretation of Jean-Georges Noverre (1727-1810), a famous French choreographer in the context of his cultural...
Typical types сlarine technology in the product on the demolition of classicism and romanticism
Purpose of the article is an analysis Concerto for clarinet with orchestra J.Stamitz, W.Mozart and the First from four compositions of this sort L.Spohr in directivities on revealing the most impressive responsibl...
Component structure of the performing skills of a musician-wind instrument player
Purpose of the research. Research is related to the selection and scientific ground of component structure of performing abilities of musician-wind instrument players. Methodology of the work consists in the analysis of...
Renaissance villa: leisure practices and cultural consumption
Purpose of the article – to determine and justify the specifics of leisure practices on a villa in the age of Renaissance. The methodology is based on the complex using of the method of analysis, synthesis, and generaliz...