Symbolist and orchestral and mimetic paradigms of music creation of the XXth century in the projection onto the pianistic art
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2017, Vol 1, Issue 3
Abstract
Purpose given studies is a grounding of regular nature of "klavirization" of pianoforte play in the denying orchestra theatricality of List’s academic tradition by means of focusing on aestheticism of symbolist ("neo-symbolist") tradition of pianistic art, which "defuses" a conflict between avant-garde and traditionalism of the 1920s – 1970s. The methdological base – intonation approach of the school B.Asafiev in Ukraine, this works A.Sokol, V.Shulgina, E.Markova, beside which style comparative features feats and analytical generalizations of the observations practical persons form the rich material for conclusion of the music-hеrmeneutic type. Scientific novelty – in independance of the theoretical idea to style autonomies of the music abreast directions art XX centuries and piano performance creative activity as music forming. The Findings. By the end of XX centuries became the approved line of the interpretation pianoforte that is declared was in protosymbolism – symbolism periods of the formation of the modernist style which turned out to be deep to be radical in transformation piano technology, generated new constructive decisions of the instrument as a whole. So experience piano creative activity has opposed to the radicalism of klavirity with classics of the pianoforte orchestral-"grand piano" nature. In case of "klavirization" we rise to a new level of presentation of complicated timbral-motor features of, which by no means do not exclude traditional orchestra peculiarity, but absorb it as one of the manifestations of this klavirity.
Authors and Affiliations
Dariia Androsova
Keywords
Related Articles
- EP ID EP374682
- DOI -
- Views 66
- Downloads 0
Stage image of fashion as the integrity of the aesthetic and cultural initiatives
The purpose of the article. Determine the culturological components of the formation of fashion activity as a scenic phenomenon. Methodology of the research is based on the analytical method in the study of artistic pecu...
Legal problems of the functioning of folk arts and crafts in the context of rural development
The purpose of the article is to conduct a scientific and theoretical analysis of the legislation of Ukraine and the European Union in the field of rural development, as well as a cluster model of the functioning of folk...
LANGUAGE AND SONG AS MAJOR ASSETS OF UKRAINE
The purpose of the article is to actualize Ukraine’s music and language potential in the context of modern science and music therapy practices. This potential is able to optimize the process of personality development un...
Import-export operations in the market of cultural valuables
The purpose of the study is to identify the dynamics of the functioning of the process of import and export of cultural property and its dependence on the effects of internal and external factors. Research methods. The c...
Art as a cultural activity community of humanity
The purpose of the article is to clarify the concept of “cultural communication” on the basis of analysis and generalization of works in the field of philosophy, art criticism and cultural studies, to highlight the speci...