Tęskniąc za spójnością. Notatki o intertekstualności, kompozycji i koncepcji języka u Brunona Schulza
Journal Title: Schulz/Forum - Year 2015, Vol 5, Issue 5
Abstract
Schulz was particularly predisposed to intertextuality, since his hometown was genuinely multilingual, with Polish and Yiddish as dominants. German, as the official language of the Austro-Hungarian administration and that of Lessing, Moses Mendelssohn, Goethe, Schiller, and Heine, was especially attractive to the educated Eastern European Jews, which applied also to Schulz’s mother who taught him Goethe’s ballad, “The Erlking.” On the other hand, such centers of modernism as Vienna, Lviv, Cracow, and Warsaw, which affected the young Schulz in his student years, were also francophilic so that the works of Flaubert, Baudelaire, Zola, Proust, Huysmans, Claudel, and Gide, as well as the philosophical writings of Bergson, must have influenced him, too.
Authors and Affiliations
Rolf Fieguth
Erros Schulza
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Prezentacja „Prezentacji”
Gilles Deleuze believed that Sacher-Masoch had a unique role to play. He recognized Sacher-Masoch as a great writer while masochism was for him a particularly important psychosocial feature of modernity – much more compl...
Korekta
The fourth issue of “Schulz/Forum” is an opportunity to draw conclusions, but also to correct the originally chosen approach. Its dominant are Jewish motifs in Schulz’s life and fiction. Besides, it contains a new rubric...
Sierpniowe inicjacje. Obrazy kobiet w Sierpniu Brunona Schulza
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Bruno Schulz i realizm magiczny
A list of the main magic realists includes Isabel Allende, Jorge Luis Borges, Alejo Carpentier, Julio Cortàzar, Günter Grass, Gabriel García Màrquez, and Salman Rushdie, and among Polish authors, Stanisław Lem, Olga Toka...