The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle

Journal Title: Text Matters. A Journal of Literature, Theory and Culture - Year 2018, Vol 8, Issue 8

Abstract

The article seeks to analyze the portrayal of the Jews in two plays from the Chester mystery cycle: “Trial and Flagellation” and “The Passion.” The analysis acknowledges that the cycle is a mixture of, and a dialogue between, the universal standpoint emerging from the presentation of the biblical story of humankind and a contemporary perspective, pertaining to the reality of the viewers. Therefore, while pointing to the unique formal and structural uniformity of the cycle, which strengthens the idea of continuity between the Old and the New Covenant and the role of the Israelites in the history of salvation, it also recognizes the potential of the plays to engage in the current stereotypes. The article examines how the Gospel account of Christ’s trial and death is modified through presenting the Jews as torturers, whitewashing the non-Jewish characters, and placing special emphasis on the question of Jewish ignorance. It is demonstrated how different theological and popular stances concerning the Jewish people are merged and reconciled in the Chester representation of the passion of Christ and it is argued that the plays in question retell the biblical story in such a way that the justification for the expulsion of the Jews from England could be derived from it.

Authors and Affiliations

Joanna Matyjaszczyk

Keywords

Related Articles

Defying Maintenance Mimesis: The Case of Somewhere over the Balcony by Charabanc Theatre Company

Making reference to Luce Irigaray’s definitions of mimesis and mimicry, and the ways in which these concepts respectively reinforce and challenge the phallogocentric order, this article investigates the representation of...

“The Heart of this People is in its right place”: The American Press and Private Charity in the United States during the Irish Famine

The potato blight that struck Ireland in 1845 led to ineffable suffering that sent shockwaves throughout the Anglosphere. The Irish Famine is deemed to be the first national calamity to attract extensive help and support...

On (Not) Being Milton: Tony Harrison’s Liminal Voice

Tony Harrison’s poetry is rooted in the experience of a man who came out of the working class of Leeds and who, avowedly, became a poet and a stranger to his own community. As Harrison duly noted in one interview, from t...

The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle

The article seeks to analyze the portrayal of the Jews in two plays from the Chester mystery cycle: “Trial and Flagellation” and “The Passion.” The analysis acknowledges that the cycle is a mixture of, and a dialogue bet...

Negotiating Reality: Sam Shepard’s States of Shock, or “A Vaudeville Nightmare”

In the course of a career that spans half a century, from the Vietnam era to the America of Barack Obama, Sam Shepard has often been labelled as a “quintessentially American” playwright. According to Leslie Wade, “[d]raw...

Download PDF file
  • EP ID EP417945
  • DOI 10.1515/texmat-2018-0011
  • Views 95
  • Downloads 0

How To Cite

Joanna Matyjaszczyk (2018). The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle. Text Matters. A Journal of Literature, Theory and Culture, 8(8), 171-188. https://europub.co.uk/articles/-A-417945