The New Sentence: June Jordan and the Politics of Parataxis
Journal Title: Text Matters. A Journal of Literature, Theory and Culture - Year 2018, Vol 8, Issue 8
Abstract
The aim of the paper is to compare and contrast a few select ways in which the poetic use of parataxis can convey a specific political message. Parataxis is understood here broadly, as a certain organizational principle based on a cycle of denarrativization and renarrativization. The first part of the paper reflects on the role the paratactic technique has played within the language of the reactionary populists, both historically and in the recent years. Then, building on the observation that the denarrativized, seemingly „straightforward” nature of the paratactic speech makes it particularly useful for the purposes of right-wing populism, I ask whether parataxis can be reclaimed as a progressive force. In order to answer this question, I go back to some of the issues discussed by Ron Silliman, Fredric Jameson and Bob Perelman in the context of the Language movement and the so-called New Sentence. Here, the work of de- and renarrativization performed as a consequence of the paratactic loosening of conventional textual links and structures is seen as a direct response to the denarrativized nature of everyday life under late capitalism. In the final part of the paper, I contrast the New Sentence parataxis with a more practical, more spontaneous (albeit more conventional) approach embodied by June Jordan. The paratactic structures of her writing remain focused on denarrativization in all of its disruptive and provocative potential, allowing for a certain kind of immediate political intervention.
Authors and Affiliations
Paweł Kaczmarski
Negotiating Reality: Sam Shepard’s States of Shock, or “A Vaudeville Nightmare”
In the course of a career that spans half a century, from the Vietnam era to the America of Barack Obama, Sam Shepard has often been labelled as a “quintessentially American” playwright. According to Leslie Wade, “[d]raw...
“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simu...
Authority in Crisis? The Dynamic of the Relationship Between Prospero and Miranda in Appropriations of The Tempest
The relationship between Prospero and Miranda is fairly typical for Shakespeare’s way of portraying parental authority and filial obligation. A strong and authoritative father, an absent mother and a (potentially) rebell...
The Monk by M. G. Lewis: Revolution, Religion and the Female Body
This paper reads The Monk by M. G. Lewis in the context of the literary and visual responses to the French Revolution, suggesting that its digestion of the horrors across the Channel is exhibited especially in its depict...
Transvestite M(other) in the Canadian North: Isobel Gunn by Audrey Thomas
The article focuses on the eponymous protagonist of Isobel Gunn, a Canadian feminist historical novel by Audrey Thomas, published in 1999. Based on a real story, the novel fictionalizes the life of an Orcadian woman who...