The Non-Dialectic of Tragic in Nietzsche’s Thinking
Journal Title: Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy - Year 2011, Vol 3, Issue 1
Abstract
Considering the dialectical structure of tragic thought in classical philosophy, one can read Nietzsche’s conception of the tragic in a dialectical way. Reading Nietzsche's The Birth of Tragedy in this way is justified, as long as the Apollonian and Dionysian are understood as contrasting impulses who work together in their “reciprocal necessity”. Beginning of the fifth chapter of this book, however, there is a second design of the tragic experience; here Nietzsche emphasizes that Dionysian is the affirmative dimension of the tragic. This non dialectical conception of tragic, as Nietzsche builds it along his work, stresses the non necessity to justify life, the affirmation of life as it is, without deploring and rebuilding it, and without giving it an alien meaning. This conception cancels the negativity which founds the dialectical conception of the tragic, in so far as suffering, vain, and finiteness are no longer seen as opposed to life and in need of an appoint justification: they belong to it. The philosophical task is to ask: of what does the tragic of an absolute affirmation of life consist of, if the dialectic contradiction is repealed.
Authors and Affiliations
Lucian Ionel
Emotion – Another Entranceway into Philosophy
Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion, Oxford: Oxford University Press, 2010
The Four Causes of Tragedy
This paper aims to analyze one of the highest achievements of humankind, the classical tragedy, via the application of the heuristic paradigm proposed by Aristotle in his Physics, the fourfold determination of the concep...
Cosmodernism or the new imaginary
Christian Moraru, Cosmodernism. American Narrative, Late Globalization, and the new Cultural Imaginary, Ann Arbor: The University of Michigan Press, 2011
Interpretive Truth and Interpretive Validity: Remarks on Danto’s Idea of “Constitutive Interpretation”
Given an interpretive ontology of the artwork, exemplified by Danto’s “constitutive interpretation” thesis, the present paper considers a fundamental “obscurity” at the heart of the artistic (contemporary) phenomenon – t...
From Private to Public: Is the Public/Private Distinction Gender Discrimination?
Martha A. Ackelsberg, Resisting Citizenship. Feminist Essays on Politics, Community and Democracy, New York and London: Routledge, 2010