The Offensive Depictions of Prophet Muhammad (SAW) in Western Media and its Consequences

Journal Title: Journal of Islamic Thought and Civilization (JITC) - Year 2014, Vol 4, Issue 0

Abstract

The controversies and provocations generated by the West and its media over depictions of Prophet Muhammad (SAW) are not only related to recent caricatures or cartoons but are also about the display of historical artwork. Recently, many Western organisations, newspapers, magazines, social networks and even websites organised seminars and events like the cartoon "Everybody Draw Mohammed Day!" to hurt and provoke the Muslim world. Muslims believe that visual depictions of all the Prophets should be prohibited and are particularly averse to visual representations of Prophet Muhammad (SAW). The key concern is that the use of images can encourage idolatry. Islam does not allow the depictions of Prophet Muhammad (SAW); to do so goes against the faith of the Muslims and hurts their emotions. This article will focus on providing an analysis of the distorted images, fabricated views, and overgeneralizations which typically characterize Western representation of the Prophet (SAW) of Islam with reference to some particular incidents, chiefly the Charlie Hebdo controversy, Danish newspaper, controversial movie Innocence of Muslims, animated films and social networks. This analysis comprises of works by both Western and Muslim thinkers; it also includes biased and moderate/ fair views depicted in the Western media.

Authors and Affiliations

Aijaz Ahmad Khan

Keywords

Related Articles

Placing his thoughts in perspective: A survey of works on Fazal-ur-Rahman

Fazlur Rahman, the renowned Muslim thinker who lived in the second half of the twentieth century, impacted young scholars and students of Islam of his generation and those of the next, both from the Muslim world and the...

Muslim Response to the West: A Comparative Study of Muhammad ‘Abduh and Said Nursi

During the 19th and 20th centuries, the entire world witnessed dynamic changes. Dramatic alterations such as the decline of the Ottoman Empire, colonization of Muslim lands, two world wars, divisions in the Muslim world...

Usage of Religious Symbols in Fiction by Pakistani Women Writers

This paper is concerned with usage of religious symbols by seasoned women fiction writers of Pakistan. These writers have indulged in using significant symbols, metaphors and archetypes in their texts. Exploring the sour...

Early Christian Sīrah Writings of Subcontinent: A Comparative Study of their Methods, Impact and Cogitating on New Contemporizing Methodology

This article is an attempt to study the methods adopted in the Christian missionary biographies of Prophet Muhammad (SAW) in subcontinent from early nineteenth century to the first half of the twentieth century. These...

Islamic Traditional Values: Towards Women Empowerment and Housing Microfinance in Pakistan

Although the roles of women have evolved with the urbanizing world, conventional house designs have failed to accommodate the spatial needs of the contemporary woman. The majority of houses in Pakistani cities are owned...

Download PDF file
  • EP ID EP489166
  • DOI 10.32350/jitc.41.03
  • Views 196
  • Downloads 0

How To Cite

Aijaz Ahmad Khan (2014). The Offensive Depictions of Prophet Muhammad (SAW) in Western Media and its Consequences. Journal of Islamic Thought and Civilization (JITC), 4(0), 45-61. https://europub.co.uk/articles/-A-489166