THE PERCEPTION OF THE READER AS AN INTEGRAL PART OF THE ART WORLD OF LITERARY WORKS BY HONORE DE BALZAC

Abstract

The problem of the artistic world in the theory of literature is extremely important and gives a view of the world from the point of view of the reader. The author seeks to attract the attention of the reader, enter it in the artistic text through the perception and attitude of characters, building a picture of the world of the hero and his own. Getting to know the creative process allows the reader to understand the writer’s intention deeper, evaluate its effectiveness and manage its perception, educate their readership culture independently. Increased attention of philologists to the active participation of the reader in the socio-literary movement of the era, to the life of literary works, to the complex issues of the psychology of aesthetic perception opens up new opportunities for analysis of the artistic text. It is necessary to reveal his inner potential of the reader, his hidden possibilities to influence the reader appears in the text. The reader seeks to understand the work, the author who created this work, to understand the writer’s intention. The reader is a coauthor of the work, but repeats the process of its creation in the opposite direction: from the text to the intention. The writer forms the peculiarities of the reader’s perception as an integral part of the artistic world of a literary work.

Authors and Affiliations

Larysa Pylypiuk, Valentyna Kovalenko

Keywords

Related Articles

ARTISTIC INTERPRETATION OF THE HISTORY OF UKRAINE IN THE STAGE PLAY «UKRAINIAN SCENES FROM 1649» BY M. KOSTOMAROV

The article investigates the features of artistic understanding of the events of national history in the stage play «Ukrainian scenes from 1649» by M. Kostomarov. The principles of formation of the personal and national...

A CHARACTER AS A COMMUNICANT: INTERDISCIPLINARY APPLICATION OF THE LINGUISTIC TERM

The article presents synthesis of the literary and linguistic terms on the background of philosophical, psychological and historical approaches with the purpose to obtain a more precise instrument for analyzing dialogues...

NORMALIZED SPEECH AS A PRECONDITION FOR ACHIEVING ORTHOGRAPHIC COMPETENCE

In this article, we analyze the notion of linguistic norm – a traditional example, a standard which is inherently defined by correctness, relevance, aesthetic harmony, and orthographic competence as integral components o...

SEMANTIC PECULIARITIES OF COMPARATIVE PHRASEOLOGICAL UNITS DENOTING EMOTIONAL CHARACTERISTICS (ON THE MATERIAL OF UKRAINIAN, GERMAN AND ENGLISH LANGUAGES)

The article analyzes the phraseological representation of emotional features through comparative phraseological units. Groups of the most frequently encountered objects of comparison that form the phraseological meaning...

CONTRAST AS THE MEANS OF ACHIEVING COHERENCE IN NEW GERMAN DRAMA

This article provides practical analysis of structural, stylistic, semantic and graphic types of contrast in present-day German drama and the role of contrast in achieving text coherence. Semantic contrast is divided in...

Download PDF file
  • EP ID EP411405
  • DOI 10.25264/2519-2558-2018-1(69)/2-92-95
  • Views 87
  • Downloads 0

How To Cite

Larysa Pylypiuk, Valentyna Kovalenko (2018). THE PERCEPTION OF THE READER AS AN INTEGRAL PART OF THE ART WORLD OF LITERARY WORKS BY HONORE DE BALZAC. Наукові записки Національного університету "Острозька академія" Серія "Філологія", 69(2), 92-95. https://europub.co.uk/articles/-A-411405