THE STYLISTIC OF SYMBOLISM IN COMPOSER-PERFORMING PRACTICE AT THE END OF 18TH AND THE BEGINNING OF 19TH CENTURIES
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 1
Abstract
The purpose of the research. The study is focused on the disclosure of the role and identification of stylistic particularities of the symbolism in the composer-artistic practice at the 18th – 19th centuries. The positions of intonational approach of Asafiev’s school and elaborations of his followers such as Polish (R. Ingarden, Z. Lissa, etc.) and German (D. Kamper, H. Steger, etc.) musicologists, became the methodological base of the study. The musicologists given above were able to combine the current stylistic position and pre-symbolic trends. Respectively the works that may shed light on the methodology of the symbolism at the musical-instrumental context were used in this study. The scientific novelty of this study lies in accentuating the stylistic features and the role of the symbolic and pre-symbolic characteristics of the instrumental piano specificity at the context of the composer-performing practice at the turn of 18th and 19th centuries. The conclusions. Genre preferences in art and in the first place music are determined by presymbolic characteristics of the early romanticism for example: the religious symbolism, which evolved under the influence of the “celtomania” and offered the nocturne as an image, which combines the druistic cult of the Moon and the early Christian psalmody; the interest to the topic-signs, genre-signs including genre typologies of the prelude-etude, which in romantic version of the aesthetic “Rapture” captured something, that was considered an ordinary, imperceptible in the aesthetic classification, adopted outside the romanticism; the German "Biedermaeier" is characterized by its attraction to the expression of the “empire style in the chamberness” (provoked to find the art monumentalism in “small” genres like a prelude-etude-nocturne etc.)
Authors and Affiliations
Anton Trofimov
Keywords
Related Articles
- EP ID EP553965
- DOI -
- Views 77
- Downloads 0
Stereo image in design of printed graphics of small forms in the period of 1970–1990's on the territory of the USSR
Objective. The research consists of highlighting genesis and evolution of the methods of creating a three-dimensional space on a two-dimensional plane and impact of stereoeffects on design of the printed graphics of smal...
THE FORMATION OF THE CRIMEAN TATAR PERIODICALS
The goal of the present article is to investigate non-Slavic typography of the XVIII–XX centuries. There are ma-terials about the first Printing house in Crimea and the activity of the Crimean Tatar Printing house in Bak...
THE PRACTICE OF USING INTERACTIVE MULTIMEDIA INSTALLATIONS IN MUSEUM ACTIVITY
The purpose of the study is to analyze modern interactive multimedia installations that function in the museum environment in the process of working on artistic interactive and educational media projects. The research is...
On the Problem of Musical Composition Title
The purpose of the research is to introduce into scientific use such musical phenomenon as musical composition title in its typological and functional dimensions and prospective sense. The research methodology is based o...
Peculiarities of the jewelry art of Kyivskaya Rus (treasures of the X-XIII centuries from Pivno region)
The aim of work is to analyze the peculiarities of the development of jewelry art in the Kyivskaya Rus by the example of the unique discoveries from 1971-1975 – Torgovitsky and Dorobuzkiy treasures of the X-XIII centurie...