Tonality of Folk Funeral Chants in the Rzeszów Region
Journal Title: Edukacja Muzyczna - Year 2022, Vol 17, Issue 17
Abstract
Folk religious chants have already been the object of scientific study for several decades. The matter of morphological features of the religious repertoire in the living tradition includes several basic factors, such as poetic text structure (versification, strophic structure), stylistic and formal properties, metre and rhythm, melodics, and tonal considerations (cf. B. Bartkowski, Niektóre cechy muzycznej metrorytmiki polskich pieśni religijnych żyjących w tradycji ustnej, “Summarium. Sprawozdania Towarzystwa Naukowego KUL” 1978, no. 3 (23), p. 250). The purpose of this article is to present and analyse the tonal phenomena occurring in folk religious chants performed throughout the funeral rite in the region of Rzeszów (Rzeszów region – a region in South-Eastern Poland inhabited by the ethnic groups of Lasowiacy and Rzeszowiacy, which covers the approximate area of the current ten districts (Tarnobrzeg, Stalowa Wola, Nisko, Kolbuszowa, Leżajsk, Mielec, Ropczyce-Sędziszów, Rzeszów, Przeworsk, and Łańcut). -cf. Kolędowanie na Rzeszowszczyźnie, ed. K. Smyk, J. Dragan, Kolbuszowa – Kraków 2019, p. 8, and range maps, pp. 382–383), especially during the prayer for the deceased at home, the procession to the church, the procession to the cemetery, and the inhumation at the cemetery). The musical scales upon which the melodies of the individual chants are based have particular significance in terms of their musical shape. In fact, the tonality, which constitutes a note system, influences the interval structure, the relationships between individual notes, the melody and, indirectly, the regional conditions for the performance of the chants. The material will be presented based on the scale range criterion while individual tonal phenomena will be presented using selected examples.
Authors and Affiliations
Sebastian Lesiczka https://orcid. org/0000-0002-2289-9497
An Outline of the Repertoire of Songs Created From Romanticism to Modernism by Slovak Composers Based on Foreign Language Poetry
This work shows a view of Slovak composers and their song production, with a focus on profane songs accompanied by piano for foreign-language texts written by German, Austrian, Hungarian, French, English, Italian, Polish...
Święci Cyryl i Metody w kulturze muzycznej XIX i pierwszej połowy XX wieku w kontekście oddziaływania idei słowiańskiej
In the 19th century, the great cult that surrounds the saints Ciril and Methodius in Slavic countries went beyond religious worship. Under the influence of Slavophile ideology, the accents of the cult were transferred fr...
The Typology of Contemporary Ukrainian Ballet: A Musicological Perspective
In this article the author presents an original typology of contemporary ballet from a musicological standpoint. On the one hand, the proposed classification is based on already existing typologies of ballet as a dance g...
Chopin’s music in the interwar Vienna
The aim of the article was to gather the most relevant information concerning the reception of Chopin’s music in the interwar Vienna. A glance back at Chopin’s matters in Vienna during the early 20th century and World Wa...
Baśń o Sinobrodym jako źródło inspiracji dla twórczości scenicznej Beli Bartóka
The article entitled Béla Bartók’s “Bluebeard’s Castle” – the opera of the turn of styles is an attempt to show remarkable philosophical and artistic values of this work. In the article we can find a brief historical out...