Traditional Interaction in Iranian Painting Art (1958-1978)

Journal Title: Ankara Üniversitesi Sosyal Bilimler Dergisi - Year 2018, Vol 9, Issue 1

Abstract

Since Muhammed Rıza Pehlevi's dynasty, (1940-1977), especially between 1958-1978, we are witnesses to effording to form identity by İranian painters in İranian painting as in other areas of the arts. Hossein Zenderoudi and Faranarz Pilaram are the rst examples we can give. The early 1960s, intense discussions were made on the identity in the elds of art and in this context, artists have tried their rst products in traditional trends. These traditional trends gaves the rst fruit as Saghakhane School.WhileSadeghTabrizi'sminiature,MasoudArabshahi'sOrnamental interactive experiments were going on, in parallel with the inuencing progress of the artists of abstract expressionist art, the classical understanding of Calligraphy in İran, ornaments and decorative surface and creating an image of the carpet-rug patterns are seen in the effects. Traditional trends which was appeared as a formal and internalized in the following process and affected on creations of young artists' generation after 1970 period.

Authors and Affiliations

Nazanin Davari

Keywords

Related Articles

Marine Scientific Research Concept and Its Legal Statue within the Context of the 1982 United Nations Convention On the Law of the Sea (UNCLOS)

The Marine Scientific Research (MSR) is a concept within the law of the sea, which is related to the topics ranging from the natural sources of the sea to active and economic protection of the marine environment. Despite...

Practices of Public Relations in the Central and Eastern Europe: Sample of Romania

It's almost impossible to define a single public relations history since the the economic, politic developments, legislative and political structures and historical contexes of nations differ in various ways. In Eastern...

Visual Culture as a Map: Borders and Back Streets of It

Current media studies canalize us to take viewers who make “alternative readings” seriously. On the other hand, economy-politics approach still emphasizes the role of media in meaning construction as the “ideological sta...

Order of Composition in the Miniature Paintings of Hunernâme 2nd Cover

Hünernnâme 2nd Cover (TSM. H. 1524), is an important hand-writing as a means of Ottoman miniature art. There are sixty five miniatures in the hand-writing that consists the talents and successes of Kanuni Sulltan Süleyma...

Bioethics (Nature Ethics) as a Tool for Sustainable Use of Natural Assets in Turkey; A Case Study in Terms of Western Anatolian Nomad’s Pastoralism

The Nomad Groups in Western Anatolia have been to protect their geography’s ecological and ecosystems properties by sustaining their life and natural asset using with bioethical approaches which they developed over the c...

Download PDF file
  • EP ID EP310443
  • DOI -
  • Views 138
  • Downloads 0

How To Cite

Nazanin Davari (2018). Traditional Interaction in Iranian Painting Art (1958-1978). Ankara Üniversitesi Sosyal Bilimler Dergisi, 9(1), 66-87. https://europub.co.uk/articles/-A-310443