Tras los Rastros, las Huellas y la Memoria de "la Débora Arango"
Journal Title: Revista Académica Estesis - Year 2023, Vol 1, Issue 14
Abstract
This work investigates the historical development of the Débora Arango Arts Technological Institute, from its genesis in the first music and arts classes taught at the Miguel Uribe Restrepo Culture Center, to the transition process to the new campus in the Débora Arango Cultural Center. Based on interviews with the founding teachers Jhon Manuel Restrepo, Edwin Vélez, the rector Juan Carlos Mejía Giraldo and the Academic Vice-rector, Paola Cristina Gómez Cano, an attempt is made to recognize the constitutive elements that allowed the consolidation of a pedagogical project that tends towards integration, knowledge and artistic practices, discover in this complexity of administrative management, the pillars of teaching that gave rise to academic production within the framework of the PFI. Resignify the laborious process that allowed the development of an articulated system that currently stands as an institutional management model and achieved recognition from the Colombian Ministry of National Education with the qualified registration of 16 education programs and the commitment of the Municipality of Envigado so that today the project of its own campus is a reality on the verge of materializing. An investigation that arises with the intention of contributing to the construction of new knowledge related to artistic practices and contributing to the consolidation of the institutional history and identity as Débora Arango Technological Arts. Finally, this study seeks to invite reflection from the Cultural Projects school to establish the theoretical lines that will promote future cultural studies, the methodological perspectives on creation and the institutional future as an academic project for the reconstruction of the social bonds, the contribution to the construction of public policies in the creative sector and the strengthening of cultural eco-systems, from management, research, and creation.
Authors and Affiliations
Johan Henao Sossa
Keywords
Related Articles
- EP ID EP720591
- DOI https://doi.org/10.37127/25393995.170
- Views 35
- Downloads 0
Una conversación acerca de los “que hacer” con la actividad coral en el marco de una gestión pública observatorio cultural de la provincia de Buenos Aires
This article is the synthesis of a public interview that was held at the Cultural Centre of the Province of Buenos Aires, Argentina, in 2009, in order to establish some lines of disc...
Arte y política y la política del arte
In this transition between two epoch spirits, called Modernism and Postmodernism or Industrial Capitalism and Neo Liberalism, (in the economic sphere,) together with the collapse of the ideologies o...
La afinación temperada de instrumentos autóctonos de las músicas tradicionales colombianas: problemáticas relacionales entre la tradición y la música comercial
This article is a product of the research project “Expanded Bank of Digital Sounds of the Musical Instruments of Colombian Folklore, P142113”, carried out by Escuela Superior de Artes Débora Arango and Inst...
Imágenes de nuestros “otros” representaciones del mundo indígena en el cine hispanoamericano Esther Gimeno Ugalde, Karen Poe Lang (eds.)
The author reviews the contents of the book Representations of the Indigenous World in Hispano-American Cinema, edited by Ester Gimeno (Boston College) and Karen Poe (University of Costa Rica). The book consists of nine...
¿Musicología o investigación musical?
The present paper reflects on the epistemological bases on the differentiation between “musicology” and “musical research” established in some documents of the Ministry of Culture of Colombia, and the convenienc...