Tras los Rastros, las Huellas y la Memoria de "la Débora Arango"
Journal Title: Revista Académica Estesis - Year 2023, Vol 1, Issue 14
Abstract
This work investigates the historical development of the Débora Arango Arts Technological Institute, from its genesis in the first music and arts classes taught at the Miguel Uribe Restrepo Culture Center, to the transition process to the new campus in the Débora Arango Cultural Center. Based on interviews with the founding teachers Jhon Manuel Restrepo, Edwin Vélez, the rector Juan Carlos Mejía Giraldo and the Academic Vice-rector, Paola Cristina Gómez Cano, an attempt is made to recognize the constitutive elements that allowed the consolidation of a pedagogical project that tends towards integration, knowledge and artistic practices, discover in this complexity of administrative management, the pillars of teaching that gave rise to academic production within the framework of the PFI. Resignify the laborious process that allowed the development of an articulated system that currently stands as an institutional management model and achieved recognition from the Colombian Ministry of National Education with the qualified registration of 16 education programs and the commitment of the Municipality of Envigado so that today the project of its own campus is a reality on the verge of materializing. An investigation that arises with the intention of contributing to the construction of new knowledge related to artistic practices and contributing to the consolidation of the institutional history and identity as Débora Arango Technological Arts. Finally, this study seeks to invite reflection from the Cultural Projects school to establish the theoretical lines that will promote future cultural studies, the methodological perspectives on creation and the institutional future as an academic project for the reconstruction of the social bonds, the contribution to the construction of public policies in the creative sector and the strengthening of cultural eco-systems, from management, research, and creation.
Authors and Affiliations
Johan Henao Sossa
Keywords
Related Articles
- EP ID EP720591
- DOI https://doi.org/10.37127/25393995.170
- Views 45
- Downloads 0
IV Seminario Internacional de Investigación en Prácticas Artísticas en Contexto. Reseña de evento
The IV International Seminar of Investigation on Artistic Practices in Context, is a space for academic concentration for the analysis of learning from interdisciplinary work, circumscribed in the wills and realities of...
Sinergias: el arte y sus huellas, construcciones taxonómicas de los puentes del río Medellín que habitan los marginales en el centro de la ciudad
This article aims to demonstrate some research-creation processes that inquire into the concerns and dynamics related to the terms art and ethnography, which are an integral part of the methodological creation s...
Lygia Clark y Michel Foucault. La torsión del espacio y su formación Estética
Möbius band twists the space image in the 20th century. Lygia Clark’s art and Michel Foucault’s philosophy provide testimony of it. This paper turns to the notion of care of truth in...
Rutas de creación la obra y el compositor. Rutas para el planteamiento de un problema de investigación –creación
This essay explains the creative action of the composer from a permanent experiential-based practice, whose starting line starts from empirical and intuitive creative processes. Their developments have been both im...
Experiencias artísticas orientadas hacia la conceptualización del cuerpo en la tecnoescena
Since the 1990s, the relationship between art and new image technologies have modified the theatrical scene, incorporating the projection of virtual images that reflect different spaces in the world. The techno-sc...