Ukrainian mental lyricism installation and its music manifestation
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 3
Abstract
Purpose of the article emerges the demonstration of specifics of the lyricism as the mental-social quality of Ukrainian culture and particularities her entailments in the music sphere. The methodological base of the study is inter- disciplinary reflective-style and the culturology-hermeneutic way to semantic interpretation corresponding to buildings scientific and music-creative thinking in continuation position of T.Adorno, A.Losev, studies of A.Sokol, E.Markova, O.Muravskaya, and others. Scientific novelty got the result - theoretically independent realization to concentrations of the national-mental discovery of Ukrainian culture in creative "nоn-conformism" to avoid of аrtistic-style "mergings" of national artistic contribution with genre-style paradigm generally- European style apportionment. Conclusions. "Ukrain- ian lyricism" mark as the way of the thinking, in which rationalist subject delimitation of importances is in principal cor- rected over-sapidity "steaming" emotional thickenings-rarefactions that will add the person of the sort artificial cultural rhythm self-expression of carriers Ukrainian national character. Stands out the psychic paradigm of oscillation in the spir- itual act of concentration and emotional sadness, which recognize in the lachrymal-moving mysticism of the Ukrainian Orthodoxy, passing маximalism of "worldwide saving of" Russian Orient, hoping on spontaneity brotherhood that defines the animated over-individual character of the soul in Ukrainian lyricism. It is emphasized social phenomenon "confusion of scene and lives," which in life discovery marks аrtistical tone of public and larval decisions, confirming in mеlоdy-song manifestation morally-organizing abutment to nations outside of state-building effort. The last, being brought forth on the first plan of national self-determination at the end XX centuries, have realized, possible, discharge of the professional music from song-vоcаl manifestation in favor of chamber-instrumental "modesty" demand artistic begin in the aggregate national existence.
Authors and Affiliations
Lilija Shevchenko
Keywords
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