„Український” дизайн „Українського Календаря” як візуалізація національної ідентичності українців Польщі
Journal Title: Studia Ucrainica Varsoviensia - Year 2016, Vol 4, Issue
Abstract
The article deals with the graphic design of the “Ukrainian Calendar” – an annual publication that was issued by the Ukrainian community in Poland in the period 1957–1988. Different communication and stylistic constructions were designed to represent national identity in a number of ways. Folk art patterns would illustrate a rich tradition, adding a ‘peasant’ connotation at the same time. Traditional costumes from Central Ukraine, Cossack in particular, would communicate the idea of national unity. Graphic quotations from manuscripts and early printed books as well as historical forms of the Cyrillic alphabet would describe Ukraine’s great history and cultural development through the centuries. Motifs from Kyiv Rus and Cossack art would remind viewers of the tradition of state-building. Concerning the overall style of the publication, there were symmetrically balanced and pattern-decorated layouts as well as the dynamic positioning of stylized elements. Several issues of the Calendar demonstrate attempts to modernize the national image. With ‘op-art’, ‘pop-art’ and ‘international style’ designs they shape Ukrainian identity as being contemporary and global. Generally, the publication illustrates the tensions between the traditional and modern; it is also a ‘hybrid’ between Diaspora and Soviet periodicals of the time.<br/><br/>
Authors and Affiliations
Wasyl Kosiw
Людина світлої душі і щедрої любові
This article was written in the memory of Roman Ivanovych Ostash, a prominent Ukrainian onomastic researcher, dialectologist and lexicographer, a man with a great heart and moral authority. This article presents the stor...
Геній i втраченa батьківщинa
This ar ticle aims at presenting the fate of two brilliant musicians and composers – Alexander Koshitsa (1875–1944) and Sergei Rachmaninov (1873–1943). The author of this article traces historical patterns of the tragedy...
Charkowska szkoła fotografii i społecznej. Między dokumentem a sztuką
The topic of the text is the relationship between the documentary and artistic sides of photography. This issue is related to the problem of “reading” photographs as texts, as well as modeling reality as an object of int...
Гелитович Марія, Українські ікони ХІІ-початку ХVI століть зі збірки Національного музею у Львові імені Андрея Шептицького, дизайн, макетування та репродукції Остап Лозинський, Київ 2014, 348 с.
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Сучасні дослідження української культури, за редакцією Марти Замбжицької, Пауліни Олеховської та Катажини Якубовської-Кравчик
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