ВІЗУАЛЬНЕ: ЦІННІСНО-ГНОСЕОЛОГІЧНИЙ РАКУРС
Journal Title: Гуманітарний часопис - Year 2015, Vol 1, Issue 1
Abstract
Prilutskiy K.V. VISUAL: VALUE EPISTEMOLOGICAL PERSPECTIVE In modern conditions the transformation of the human spiritual values of particular importance in the mainstream of social and philosophical understanding is research to understand the role and importance of related visual as a unique social phenomenon, the concept of "visual" - has many meanings in different dictionaries, science, scientific approach is defined differently. But everywhere with the processes of information visualization or physical phenomena of ein form, which are conjugate for visual observation and analysis(eg. In the form of drawings and photographs, charts, diagrams, block diagrams, tables, maps, etc .). In the current state of the entire imagery- Social and daily life of the person scientists recognized the need for an integrated approach to analyze the visual development. It is an integrated approach includes identifying an optimal algorithm study of this study`s field and the main directions of its dynamics. Therefore, the subject of this article - the analysis of the main scientific approaches to the study of education, the specifics operations of the visual practices as a complex social phenomenon, that captures material`s transformation and priorities of intellectual property rights. Visual phenomenon has attracted the attention of various eras and areas of sociohumanitarian knowledge. In their research strategies as a scientific and theoretical studies, and a review of the empirical material are presented factual and statistical plan. Above all, the visual observed. In the history of the aesthetic movement, psychology, sociology and philosophy The consideration of the phenomenon is visually represented in the Plato`s works, Aristotle, Plotinus, Hugh of St. Victor, John of Damascus. In the writings of Nicholas of Cusa, Leonardo da Vinci, a rationalistic conception of Descartes, Lebnitsa in studies of Kant, Fichte, Schelling. Engage in a dialogue with the past, allowing the visual culture of us understand the present and the possibilities to find a way out of the crisis of modernity. No less relevant normative aspect of the visual as an indicator of changes in society and values of the individual. In this aspect of visual key regulator of moral coordinates and aesthetic term. The nature of the visual as a special kind of artistic and visual expression of reflection in the space of the cultural landscape, through the consideration of such basic communication explains in hermeneutical reflections qualities such as integrity , heuristics, dialogue, emotional sensuous, value conditionality of all kinds. The wide variety of visual functions scientists from different kinds of human knowledge, is particular importance, as a special form of spiritual- understanding of fastchanged World and to understand the essence of the phenomena and events. Visual practices have a strong epistemological potential and helps in the mind of modern man create- ideological integrity. Poly-functional visual reflection of particular importance in securing value coordinates in a variety of images of artistic practice (and this art design of the urban environment, architecture, design, fashion, advertising, cartoons, caricatures, aesthetics of cinema, entertainment and cultural). So it will be in the visual-shape since the changes, fixing processes of value dynamics of the social environment in the socio-communicative processes will specificity of nationalcultural contexts reflects axiosphere. Possible diagnosis of latent or hidden trends in social, economic, political, national and other spheres.
Authors and Affiliations
Кирило Прилуцький
ОБРЯДОВА ПРАКТИКА ЯК ЗАСІБ ЗБЕРЕЖЕННЯ КОЛЕКТИВНОЇ ПАМ’ЯТІ: УКРАЇНСЬКИЙ ВИМІР
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