Za progiem domu Jeanne. Przestrzenie, granice i drzwi w filmie Jeanne Dielman Chantal Akerman
Journal Title: Przegląd Humanistyczny - Year 2015, Vol 59, Issue 4
Abstract
The text is an analysis of the metaphors of space, borders and doors in the film Jeanne Dielman by Chantal Akerman. The author combines Thomas Elsaesser’s theoretical considerations on a metaphor of door and screen in the cinema with Erving Goffman’s, among others, analysis of social behaviour to interpret the stratifications of space in the film and their reference to the main character’s mental situation. The article also discusses various kinds of borders in Akerman’s work, which have spatial, cultural, physical and mental dimension.<br/><br/>
Authors and Affiliations
Iga Łomanowska
Keywords
Related Articles
- EP ID EP188619
- DOI -
- Views 52
- Downloads 0
Poeci filozofów
-<br/><br/>
Listy Hermana Liebermana do Heleny Rosenbach-Deutsch. Wstęp do edycji
-
Orfeusz i Eurydyka Czesława Miłosza: katabaza jako figura żałoby
The article is a proposal for a new interpretation of Czesław Miłosz’s poem. The author presents that Orpheus’s catabasis in the poem and in the myth itself – which is revealed while its reading – is a figure of mourning...
Człowiek człowiekowi zombie, czyli kilka uwag o budowaniu społeczeństwa w świecie postapokaliptycznym. Przypadek The Walking Dead Roberta Kirkmana
Popular culture has been dominated by the walking dead. Movies, comics, books, series and computer games are full of them and recent years have brought intensification of interest in this subject. That results to a large...
Szczeliny i Tryskacze. Rekonstrukcja literackich mechanizmów wytwarzania potworności w powieści Doris Lessing Szczelina
The aim of the article is to characterize discursive mechanisms of creating monstrosity in the best-selling book The Cleft by Doris Lessing. The introduction describes sources of social teratology. It presents the biogra...