Analytical Approach DaDaistic Cinema Structure and Intellectual Bases of DaDaism along with Social and Historical Background
Journal Title: International Research Journal of Applied and Basic Sciences - Year 2015, Vol 9, Issue 6
Abstract
DaDaism was a kind of objection toward rationalism and reason-belief along with a reaction toward catastrophes and crimes of Great World War I in which the reason-believing human had committed. The modernity which had dominated on mind and intellect of European humans after Renaissance and also on the whole artistic, cultural, economic, social, political and industrial life, so it eventually ruined the palace of rationalism in the mind of European human`s mind, persuaded thinkers and artists to find a novel way to express their beliefs, thus the advent of DaDas from the heart of ash and bloodshed of Great World War I was seen. DaDas were carrying a deconstructive intellectual system incompatible with conventional rules governing . They were anti-wisdom, anti- politic, anti- militarism and anti-establishment, so they based their artistic and literary system on it. The literature of DaDa in general and The cinema of DaDa in particular declared their disagreement with being commodity and order in art and presented a novel art and cinema which were anti-narration and anti-classic ethnics (based on modernity and rule of reason appeared after Renaissance) by norm breakage as well as being disagreed with frequent artistic currents.
Authors and Affiliations
Gholamreza Madanipour| Professor of Art and Architecture Faculty of Azad University of Tehran, Tehran, Iran MA degree in Cinema, Tehran Art University, email: rezamadanipour@yahoo.com
Keywords
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