Apoteoza groteski. Borysa Eichenbauma czytanie Gogola
Journal Title: Zagadnienia Rodzajów Literackich - Year 2016, Vol 59, Issue 4
Abstract
The aim of the article is to indicate the assumptions which are the basis for setting satire against grotesque by Boris Eichenbaum in his study Jak jest zrobiony „Płaszcz” Gogola. By analyzing Eichenbaum’s argumentation, the author claims that the formalistic conception of literariness, which stresses the autonomous character of an artistic work, was conducive to the tendency for a depreciation of satire and ennoblement of grotesque.
Authors and Affiliations
Elżbieta SIDORUK
Muzealna historia literatury / Museum Literary History
The article presents theoretical problems connected with museum literary history. It shows how the multimedia and interactive elements of exhibiting space change the so-called traditional communication about literary pas...
Debata: Otwieranie okien. Open access w przestrzeni Akademii
-
Iwona Słomak, Retoryka miłosnej batalii „Wojsko serdecznych nowo rekrutowanych afektów” Hieronima Falęckiego, Warszawa 2017, ss. 247
---
Michał Wróblewski: Powieść graficzna. Studium gatunku w perspektywie kognitywis- tycznej
-
Gender (według) Georgii O’Keeffe: (cudzy) obraz a (własne) słowo artystki
The article focuses on the history of gendered and sexually oriented readings of Georgia O’Keeffe’s art and her surprisingly trenchant, wry and witty responses to skewed and biased interpretations of her paintings of mag...