Gender (według) Georgii O’Keeffe: (cudzy) obraz a (własne) słowo artystki
Journal Title: Zagadnienia Rodzajów Literackich - Year 2018, Vol 61, Issue 2
Abstract
The article focuses on the history of gendered and sexually oriented readings of Georgia O’Keeffe’s art and her surprisingly trenchant, wry and witty responses to skewed and biased interpretations of her paintings of magnified flowers. It also discusses some recent attempts made by a new generation of critics to reconsider O’Keeffe’s themes and strategies as responses to the challenges posed by the historical moment.
Authors and Affiliations
Edyta Frelik
Keywords
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- EP ID EP419041
- DOI 10.26485/ZRL/2018/61.2/4
- Views 110
- Downloads 0
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