Artistic Autonomy in the “Post-Medium Condition” of Art: Conceptual Artworks as Performative Interventions
Journal Title: Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy - Year 2011, Vol 3, Issue 2
Abstract
The present text tackles the old problem of artistic autonomy given the constitutive heteronomy of post-conceptual artistic practices in terms of their medium-specificity. Instead of considering the idea of artistic autonomy as a modernist prejudice to be discarded, I suggest that it may be revised as the performative autonomy of discourse against ideological uses of language, given that conceptual art is considered as practice and activity rather than the production of objects. Resistance may be itself redefined as the performative re-articulation of language within its conventional use. Therefore, if aesthetic formalism tried to achieve the autonomy of art in the social sphere by means of medium-specificity, whereas early conceptualists strolled towards a functionalist type of artistic autonomy in the artistic sphere, contemporary post-conceptual practices revised the very concept of form as the critical communicative articulation of the social sphere.
Authors and Affiliations
Cristian Nae
Plato: Philosophy as Politics
One of the elements that obstruct the access to a presumed meaning of Plato’s doctrine is the use of the conventional meaning of the term “philosophia”, that is the signification that has prevailed after Aristotle. In or...
A Sketch of Deleuze’s Hermeneutical Spin
The aim of this article is to sketch the procedural nature of the modus in which Deleuze reads the other philosophers. The hermeneutical problem indicated by the indecision to consider his books on different authors as a...
Les deux justices selon Nietzsche : un exemple d’inversion des valeurs
There are two types of justice in Nietzsche: a moral justice that he criticizes and an extra-moral one which corresponds to a « a great justice » that he sustains. However, in the passage from the former to the latter co...
Politics and the Internet: A Phenomenological Critique
“Politics and the Internet” is a critique of the political potential of the internet from the perspective of Husserl’s discussion of intersubjectivity and objectivity in Cartesian Meditations and Origins of Geometry. Unl...
Husserlian consequences. An inherent phenomenological path
Husserlian consequences. An inherent phenomenological path