Artistic Autonomy in the “Post-Medium Condition” of Art: Conceptual Artworks as Performative Interventions
Journal Title: Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy - Year 2011, Vol 3, Issue 2
Abstract
The present text tackles the old problem of artistic autonomy given the constitutive heteronomy of post-conceptual artistic practices in terms of their medium-specificity. Instead of considering the idea of artistic autonomy as a modernist prejudice to be discarded, I suggest that it may be revised as the performative autonomy of discourse against ideological uses of language, given that conceptual art is considered as practice and activity rather than the production of objects. Resistance may be itself redefined as the performative re-articulation of language within its conventional use. Therefore, if aesthetic formalism tried to achieve the autonomy of art in the social sphere by means of medium-specificity, whereas early conceptualists strolled towards a functionalist type of artistic autonomy in the artistic sphere, contemporary post-conceptual practices revised the very concept of form as the critical communicative articulation of the social sphere.
Authors and Affiliations
Cristian Nae
Time with the others
The article follows the mutation suffered by the issue of alterity from Husserl to Heidegger and from Heidegger to Lévinas, envisaging it starting from temporality. We aim at replacing the question “Where is the other?”...
Art and the Riddle of Being
Karsten Harries, A Critical Commentary on Heidegger’s “The Origin of the Work of Art. Springer: 2009
Performativität und Heideggers Hermeneutik der Faktizität
For a compatibility of Heideggers Contributions with today's questions of meaning and performative processes of self-interpretation, Rüdiger Rimpler recently suggested to draw on studies from the field of performativity...
Patočka, Merleau-Ponty and the Question of the Limits of Phenomenology
The purpose of this paper is to lay out the similarities between the philosophical projects of Patočka and Merleau-Ponty, with respect to the question of the “limits of phenomenology”. We suggest that both these authors...
The Rhetoric of Crisis and the Dismissal of Public Sphere
This text is an examination of the democratic public sphere in relation to the presently dominating crisis discourse. More precisely, we endeavor to expose assumptions, aims and consequences entailed by the discourse of...