Celebrations and funerals in the Cathedral of Seville (1685-1701)
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2014, Vol 3, Issue 3
Abstract
After the death of archbishop don Ambrogio Spinola Guzman in 1684, succeeded him in Seville mitra Don Jaime Palafox and Cardona, in Palermo until that moment. During his rule, the prelate presided over important ceremonies in the main temples of the archdiocese, becoming the cathedral of Seville on a stage that endowed them with content and meaning any event that marked history.
Authors and Affiliations
David Chillón Raposo
Keywords
Related Articles
- EP ID EP704507
- DOI https://doi.org/10.21071/ucoarte.v3i0.9496
- Views 94
- Downloads 0
The Time Poetics: an approach to aesthetic imaginary Steampunk
This work is presented as a reflection on how the artistic phenomenon and building techniques have dramatically changed over the second half of the 20th Century, essentially focusing on the human- technology relationship...
The Andrea Andreoli Immaculate Conception triumph for Cádiz Documents for the virtual reconstruction of an urban milestone
In this article, we go further into the knowledge of the Inmaculada Concepción Triumph in Cádiz, because of the recent reappareance of its contract in the Confraternity of La Palma archive, and other documents unpublishe...
The History and vernacular architecture related to farming between Montes de Toledo and river Tagus: a parallel story
Vernacular isolated architecture, related to agriculture, is a catalyst of historical processes and of the evolution of the relationship between mankind and territory. The aim of this research has been to analyze the inf...
New contributions on the canvas "madonna of the Rosary” from the former Carmen calzado Convent of Ceville, attributed to Murillo
According to the artistic literature of the 18th/19th centuries, the "Madonna of the Rosary” picture that was located originally in the Carmen convent of Seville was realized by Murillo. After be exposing the canvas in t...
The subversion of literary adaptation in Tristana and that dark object of desire by Luis Buñuel
Tristana and That Obscure Object of Desire are the last literary adaptations by Luis Buñuel. Even if the director takes the liberty of making various changes –cuts, synthesis, additions– in the adaptation process, to cre...