Chanter au singulier : esthétiques et politiques de la voix romantique
Journal Title: Lublin Studies in Modern Languages and Literature - Year 2019, Vol 43, Issue 1
Abstract
The article proposes a reflection concerning the connections between the voice representations or vocal practices, worked out towards the end of the Enlightenment period and in the first decades of the 19th century in the French cultural area, and the birth of the socio-economic system characteristic of the bourgeois society. The paper focuses, in particular, on political presuppositions – in the Aristotelian sense of the word « political » – on which all the uses of voice, both spoken and sung, are based. The objective of the study is to understand the status of voice and singing in the process of creation of a modern anthropology.
Authors and Affiliations
Aleksandra Wojda
Islam et mariage au Maroc ou le cri d’une auto-écriture
In Morocco, marriage remains a decisive event and an all-important choice. In a world in which misunderstandings poison our daily acts and interpersonal relationships, young Moroccan men and women are often unable to fin...
Les pragmatèmes d’affect : délimitation définitoire et propriétés sémantico-pragmatiques
Pragmatic phraseology has long been perceived as a marginal linguistic object. As a result, moves from total marginality to enlightenment by several more or less recent linguistic theories have occurred. This article pro...
Not the party of the welfare state: The boundaries of the concept of the welfare state in the construction of political identities across the British press
Positioned within the discourse-historical approach (DHA) to discourse analysis, this paper examines the function of discursive constructions of the welfare state as a concept in asserting political identities in a corpu...
Living in the Sunken Place: Notes on Jordan Peele’s Get Out as Gothic Fiction
The gothic imagination often expresses a sense of the instability and/or vulnerability of human identity, bearing either on specific individuals or on the species as a whole. The present article examines the 2017 film Ge...
Les Chardons du Baragan de Panaït Istrati, un récit de la faim
The novel The Thistles of the Baragan (1928), the most important in the oeuvre of Panaït Istrati (1884-1935), is not only an indictment against exploitation but also a story on hunger, inspired by the Romanian rural worl...