Chekhov’s dramatic art and cinematograph: implementation of author’s assumption in active shot mode
Journal Title: UNKNOWN - Year 2017, Vol 2, Issue
Abstract
The article analyses the art specificity of Chekhov’s legacy in dramatic art based on implementing in national film industry. Chekhov’s drama is divertive in its interpretation by the reader, the researcher, and in the director’s cut. Eccentricity frequently occurs in his dramaturgy. In literary text this device is not only a part of aesthetic picturing but also the form of overthinking, transformation of reality and changing the attitude to reality. The main division of the text form alters the character’s reality and his life into the moving picture frame, and changes the set visual representation into the symbol. Cinematic art allows to connect Chekhov’s text to the ornamentality of the image.
Authors and Affiliations
Andrei Nikolayevich Bezrukov
Keywords
Related Articles
- EP ID EP203676
- DOI 10.24411/2308-8079-2017-00005
- Views 73
- Downloads 0
“I” of the author of the 12th century: rhetoric and subjectivity of medieval literature
This article attempts to answer a series of questions relevant to the study of medieval literature: is it possible to create a typology of the medieval “I” and to distinguish rhetorical use of personal constructions from...
Historical retrospection of the USA & Europe relations
Today, the strategic goal of the White House is to control the mechanisms of global governance including the European one. However, its main strategy has not always been like this. The beginning of the U.S. and European...
Historical consciousness as a factor of demyfologizing historical culture: philosophical and methodological aspect
The article analyses the philosophical and methodological problems of studying historical consciousness as a factor of demythologizing historical culture. It reveals the role of social mythology in public life, the value...
The evolution of bilateral relations between the US and Iran during Iran-Iraq war (1980-1988)
The author explores the evolution of the methods of the US influence to the Islamic Republic of Iran during the Gulf War 1980-1988. Algerian agreement in 1981 did not become the basis for the settlement of US-Iranian rel...
Horseshoe as the discharge of the principal sign of the Rurik Dynasty
The article points out that the horseshoe became the basis of the Rurik Dynasty’s Bident. This thing acted as an attribute of economic, legal and political identification of the owner of a horse. A suggestion was made th...