Choir works of modern avangard composers: methodological aspect

Abstract

The article is devoted to the coverage of those problematic aspects, which should pay attention to the performance of choral works of the avant-garde direction. The introduction of new technique of composition, which dates back to the second half of the XX century, is accompanied by a change in the principles of constructing musical fabric. There is a review of such concepts as line, background, relief, texture, which can acquire a fundamentally different interpretation when working with choral batches. Need for active inclusion in the discourse of the choir conductor the notion of stereomonody, polirelief, micropolyphonia. There is an increase in requirements for performers, who nowadays are much more likely to act as soloists. Problems faced by the choruses, which need to expand the skills of working with verbal text, use boundary limits of the range, actively involve the latest techniques of sound production. Western composers of the avant-garde direction, whose traditions continue in the work of Ukrainian masters of choral art, played a leading role in the development of the latest choral script.

Authors and Affiliations

О. А. Піхтар, О. Ю. Кедіс

Keywords

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  • EP ID EP544221
  • DOI -
  • Views 39
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How To Cite

О. А. Піхтар, О. Ю. Кедіс (2018). Choir works of modern avangard composers: methodological aspect. Науковий часопис Національного педагогічного університету імені М. П. Драгоманова. Серія 5 Педагогічні науки: реалії та перспективи, 63(), 159-162. https://europub.co.uk/articles/-A-544221