Ciągłość tradycji staroruskiej monodii cerkiewnej na przykładzie wybranych dogmatyków ośmiu skal modalnych z Irmologionów Ławrowskiego i Supraskiego
Journal Title: Wschodni Rocznik Humanistyczny - Year 2018, Vol 0, Issue 1
Abstract
In the article the author undertook attempts to prove that the two Orthodox church singing traditions contained in the 16th-century the Lavra Irmologion and the Suprasl Irmologion (1598-1601) by Bogdan Onisimowicz have common roots which are the traditions of singing of Kievan Rus. For this purpose the author compares selected the melodic formulas (popiewki, lica i fity) taken from selected hymns in honor of the Mother of God, the so-called dogmatists. The author attempts to prove the connection of the melodic of the Old Ruthenian church singing with the liturgical texts whose content it comments. The author points to the principle of “similarities” eternally binding in the sacred art of the Middle Ages, where the creator does not rely on his own will, but harmonizes it with the divine rhythm of creation.
Authors and Affiliations
Daniel Sawicki
Keywords
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