COMMON SENSE APPROACH TO THE RESTORATION OF SACRED ART
Journal Title: Studia Gilsoniana - Year 2014, Vol 3, Issue
Abstract
In this paper, Sacred Art is examined as an imitation of historia. Historia interprets historical human events as empirical, material and real while seeking to understand their moral and spiritual significance. It is from historia that sacred art can be understood, where Christ and the saints are portrayed in the integrity of their human natures united to symbols representing Divinity or grace in order to present a visual/contemplative narrative. Mortimer Adler rightly sees that the vision of the beautiful is inherently contemplative, thus sacred iconography provides a language that can form the common sense of men and women.
Authors and Affiliations
Alphonso Lopez Pinto
SILENCE AND THE AUDIBILITY OF THE WORD: CONTEMPLATIVE LISTENING AS A FUNDAMENTAL ACT OF THE NEW EVANGELIZATION. PART 1: AN ANTHROPOLOGY OF LISTENING
In part one of her arguing for contemplative listening as a fundamental act of the new evangelization, the author explicates the anthropological dimension of listening. Her analysis consists of four sections. Section one...
THE DISCOVERY OF THE EXISTENCE OF THE ABSOLUTE IN EXISTENTIAL METAPHYSICS
The article shows the way in which the discovery of the existence of the Absolute is made in existential metaphysics. This existential metaphysics provides us with knowl-edge about reality. It shows the content of the ex...
ON “THE CONTINGENCY OF OUR OWN BEATITUDE.” SOME REFLECTIONS ON GILSON’S “THE FUTURE OF AUGUSTINIAN METAPHYSICS”
Inspired by selected passages from Wendell Berry’s story “A Place in Time,” the article discusses Étienne Gilson’s essay “The Future of Augus-tinian Metaphysics.” Augustinian metaphysics, according to Gilson, begins with...
JÓZEFA TISCHNERA KONCEPCJA TRAGEDII ESTETYCZNEJ: POTĘPIENIE I USPRAWIEDLIWIENIE
The article undertakes an attempt to unveil the tragic nature of beauty as present in Józef Tischner’s conception of aesthetic tragedy by reflecting on the aesthetic condemnation of the artist and forms of justification...
IMAGE AND IMAGO: A RATIONAL DEFENSE OF A THEOLOGICAL ANTHROPOLOGY OF GENDER
Modern and Post-Modern discourse espouses a subjective understanding of gender. As a result, confusing new problems erupt in discussions as practical as marriage and as theoretical as questions of human meaning and purpo...