ДЕЯКІ ОСОБЛИВОСТІ ВИКОРИСТАННЯ МУЗИЧНИХ ОБРЯДОВИХ АРХЕТИПІВ В ТВОРАХ СУЧАСНИХ КОМПОЗИТОРІВ (НА ПРИКЛАДІ МУЗИЧНОЇ СЦЕНИ «ЗУСТРІЧ ВЕСНИ» ДЛЯ ОРКЕСТРУ ТА ГУРТУ СПІВАКІВ ТЕАТРУ НАРОДНОЇ МУЗИКИ УКРАЇНИ «ОБЕРЕГИ»)

Journal Title: World Science - Year 2018, Vol 5, Issue 2

Abstract

The search for a hypothetical Proto-Slavic pre-intonation, hidden in the melodies of ritual songs for many years, as well as author's melorythmic development of this intonation, constitute the root material of the creative laboratory of Yurii B. Alzhnev and reflect the neomythologic tendencies of his work. Thanks to the creative team of the Ukrainian folk music theater "Oberehy", the composer has the opportunity to realize his ideas in the form of not only composing, but also of performing interpretations. In the composition "Meeting of Spring", the means of artistic reconstruction of folklore texts are used to highlight the elements of musical texture, which encode the primary basis of the subjective perception of the traditional world view. The sounding of these elements as musical ritual archetypes corresponds to the cultural codes of ethnic memory. Their manifestation and action in the dramaturgy of the musical scene is happening through direct citation and reconstruction of figurative content of the ritual text with the obligatory preservation of the rhythm structure of the chant. This activates the perception of the esotericity of ritual chants of vesniankas (Ukrainian ritual spring songs). In the process of composer’s interpretation, the author systematically approaches the holistic reconstruction of folklore text based on the musical ritual archetype, and also attaches importance to the sacral symbolism of images of verbal text as the signs of Ukrainian ethnoculture. The integrity of the performance interpretation of the musical dramaturgy of the piece manifests itself in the dialogue of vocal and orchestral parties and the use of techniques of theatricalization of musical stage action.

Authors and Affiliations

Ю. Б. Алжнєв, В. М. Осадча

Keywords

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  • EP ID EP411588
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How To Cite

Ю. Б. Алжнєв, В. М. Осадча (2018). ДЕЯКІ ОСОБЛИВОСТІ ВИКОРИСТАННЯ МУЗИЧНИХ ОБРЯДОВИХ АРХЕТИПІВ В ТВОРАХ СУЧАСНИХ КОМПОЗИТОРІВ (НА ПРИКЛАДІ МУЗИЧНОЇ СЦЕНИ «ЗУСТРІЧ ВЕСНИ» ДЛЯ ОРКЕСТРУ ТА ГУРТУ СПІВАКІВ ТЕАТРУ НАРОДНОЇ МУЗИКИ УКРАЇНИ «ОБЕРЕГИ»). World Science, 5(2), 38-42. https://europub.co.uk/articles/-A-411588