Experimental poetics of “The adventures of the Electric Harlequin” by V.G. Shershenevich: the genre features
Journal Title: UNKNOWN - Year 2014, Vol 3, Issue
Abstract
The article is devoted to the genre features in the insufficiently explored work "The Adventures of the Electric Harlequin" by imaginist V.G. Shershenevich. The author of the article identifies the signs of the commedia dell'arte, the tragic farce, the farcical action, the "drama for reading", the elements of poetry and drama. The author concludes syncretic nature of genre in this work.
Authors and Affiliations
Alla Aleksandrovna Nikolaeva
Religious literacy in the system of cultural competencies in the training of law students
The article provides a clear definition of general cultural competence of the future specialist, it is shown that they represent a social expectation of the fact that a graduate student entering into the social life, sha...
Calendar ritualism of the Opillia region in the scientific works of historians, ethnographers, and specialists in folklore between the 19th and 21st centuries (historiography of the problem)
The article analyses the historiographical problem of calendar ritualism of the Ukrainians in Opillia between the middle of the 19th and early 21st centuries. The author characterizes works of Ukrainian and foreign scien...
Perception of ancient motifs in the works of Ukrainian neoclassicists
The article analyses the specifics of the perception of ancient motifs and images in the literary heritage of Ukrainian neoclassicists of the early 20th century, M. Zerov and M. Rylsky in particular. The poetry of Neo-Cl...
Alexander Evreinov as a Vatican diplomat and a figure of the Russian diaspora
The article describes Alexander Evreinov's personality. He was the aristocrat, the Russian and Vatican diplomat, the priest connected with Russian apostolate in diaspora, the archbishop of the Russian Catholic church of...
“I” of the author of the 12th century: rhetoric and subjectivity of medieval literature
This article attempts to answer a series of questions relevant to the study of medieval literature: is it possible to create a typology of the medieval “I” and to distinguish rhetorical use of personal constructions from...