Fear in Gothic Fiction: A Cognitive Poetic Analysis of Angela Carter’s The Bloody Chamber

Journal Title: Zagadnienia Rodzajów Literackich - Year 2016, Vol 59, Issue 1

Abstract

Based on the Deictic Shift Theory as adopted by cognitive poetics (Stockwell 2002), this paper offers an account of fear generating mechanisms involving spatial, temporal, perceptual, relational and compositional deictic shifts in Angela Carter’s The Bloody Chamber. Focusing on the ways the reader gets involved in the terrifying story of Carter’s protagonist, the paper uncovers the complex mechanism of the “production of horror” in the text.

Authors and Affiliations

Anna Kędra-Kardela

Keywords

Related Articles

Pisarz (i czytelnik) w laboratorium, czyli od twórczego pisania do twórczego programowania — przypadek Twine / Writer (and Reader) in a Laboratory, or from Creative Writing to Creative Programming — Case Study of Twine

This paper proposes a reflection on how to introduce some aspects of programming into creative writing study programs. Educational implementation of Twine is an analyzed case study. The problem is discussed in the contex...

Emigracyjna epistolografia (1945-1989). Rekonesans

The article is devoted to Polish emigrants’ correspondence after the Second World War. The author indicates the lack of research on emigration epistolography although emigration letters are successively published. He als...

Download PDF file
  • EP ID EP181656
  • DOI -
  • Views 167
  • Downloads 0

How To Cite

Anna Kędra-Kardela (2016). Fear in Gothic Fiction: A Cognitive Poetic Analysis of Angela Carter’s The Bloody Chamber. Zagadnienia Rodzajów Literackich, 59(1), 13-23. https://europub.co.uk/articles/-A-181656