FORGETTING AND OBLIVION AS A PHENOMENON OF CULTURE

Abstract

An analysis of the phenomena of forgetting and oblivion in the context of culture is presented in this article. It is emphasized that these phenomena are significant problem of cultural and philosophical cognition. Until recently, the theoretical discourse has been dominated by negative assessment of forgetting and oblivion as harmful memory loss. However, in the article it is suggested to consider oblivion as a complex multidimensional phenomenon, a cultural universal, whose role and significance in different types of cultures differ substantially. The relationship between the concepts of “forgetting” and “oblivion” is considered, and variants of their interpretation in ancient, traditionalist and modern cultures are analyzed. The analysis of positive and negative modes of oblivion is carried out. In the ancient culture, forgetting is treated as a destructive force that is sent as a test or punishment, with which it is necessary to fight and win. Traditionalist culture, on the one hand, treats oblivion as the antipode of tradition and, consequently, the loss of cultural meanings. On the other hand, in this type of culture, oblivion is seen as a necessary stage of personal spiritual self-improvement. Within the limits of modern culture, many manifestations of oblivion are singled out and as positive (and in this context it is the basis of individual and collective creativity, a therapeutic tool that helps to survive traumatic events) and a negative phenomenon (referring to cases of repressive and compulsory oblivion).

Authors and Affiliations

Irina Sumchenko

Keywords

Related Articles

CREATIVITY, CREATIVE COMPETENCE AND PHILOSOPHICAL THEORIES OF HUMOR

The searching of the most effective methods of formation of creative abilities of people is one of the important problem of an education system today. The most complete and successful methods of formation of creative abi...

CONSTITUTIVE PHENOMENOLOGY OF NATURAL GUIDELINES OF ALFRED SCHЬTZ AND OBJECTIVE HERMENEUTICS OF ULRICH OVERMAN

Some aspects of transcendental phenomenology as principal for social investigations are considered in this article. It is demonstrated that on the basis of the objective hermeneutics of Ulrich Overman can be solved some...

SACRED SPACE OF CITY: ADAPTATION TO THE CITY’S CULTURAL CONTEXT

The article is devoted to the productivity of an interdisciplinary approach to the study of sacred places in the urban cultural space: a visual-spatial study, cultural-anthropological, semiotic analysis, Urban Study, etc...

THE POSTMODERN THEOLOGY OF “NEON GENESIS EVANGELION” AS A CRITICISM

This study analyzes Japanese animation series ‘Neon Genesis Evangelion’ in the context of postmodern theology as a cultural analysis and criticism. My selection of the series as a research object is motivated by Hideaki...

THE PHENOMENON OF FORGETFULNESS AS A MAJOR FACTOR IN THE CONSTRUCTION OF SCIENTIFIC MYTHS

The paper researches a cognitive memory biases and their role in mechanisms formation of the scientific myths. In the study, we found the mechanism of “imaginary regression to the mean” in the rebuilding of false memorie...

Download PDF file
  • EP ID EP342654
  • DOI -
  • Views 58
  • Downloads 0

How To Cite

Irina Sumchenko (2017). FORGETTING AND OBLIVION AS A PHENOMENON OF CULTURE. Δόξα / Докса. Збірник наукових праць з філософії та філології, 2(), 65-74. https://europub.co.uk/articles/-A-342654