Ginsberg's Performance Poetry: The Effect of Transformation of Spoken Words on the Development of the Performance
Journal Title: مجلة كلية الآداب جامعة بورسعيد - Year 2023, Vol 25, Issue 25
Abstract
         Performance poetry, in general, is a multifaceted field: a varied art form that emerged from many different traditions. The main conception of oral poetry that can describe this poetic technique is spoken-word poetry. Performance poetry and spoken word have to incorporate into groups with much broader definitions of spoken poetry. One of the most visible conceptions of performance poetry is the poet's presence at the place of performance. It is argumentative because the poet assumes authorship and responsibility for the poem by performing it in front of his audience. The following study examines the effect of spoken word poetry on the development of performance. Also, this study reveals that the use of spoken word poetry on the stage impacts the development of the poet's performance. Allen Ginsberg is one of the most well-known poets who innovated in this field. Other poets are changing the genre by using their voices as their medium. The audience finds Ginsberg's feeling of presence to be inspirational. This study explores spoken word poetry's capacity to stimulate transformation by addressing urgent social issues. One conclusion that could come out of this research is that while the spoken word is a tool for creative expression, it may also serve as a medium as a channel for internal representation, which could ultimately lead to social action and change. The spoken word in this research illustrates the poet's ability to integrate performance with poetic literature.٠ستخÙص٠ÙضÙع Ùذا اÙبØØ« ÙدÙر ØÙ٠رؤ٠( Ø¢Ùا٠جÙسبرج ) ÙدÙر اÙأداء ب٠زج٠٠ع اÙÙÙÙ Ø© اÙÙ ÙØ·ÙÙØ© ÙبÙÙرة Ù ÙØ§Ù Ø Ø£Ø³ÙÙب٠اÙأدائ٠ÙÙشعر Ù Ù Ø®Ùا٠دراسة ÙصÙÙØ© تØÙÙÙÙØ© ÙØ´Ø±Ø ÙÙرت٠اÙرئÙسة اÙت٠اعت٠دت عÙ٠تطبÙÙÙ ÙÙÙÙÙ Ø© اÙÙ ÙØ·ÙÙØ© Ù Ù Ø®Ùا٠أدائ٠Ù٠جÙد٠"عÙÙÙ ÙÙصائد أخر٠٠ث٠"عÙÙÙ" (1955-1954), "عباد اÙش٠س سÙترا" (1955)Ø "أ٠رÙÙا"(1956)Ø "سÙبر٠ارÙت ÙÙ ÙاÙÙÙÙرÙÙا" (1956). Ù٠ا تبÙÙ Ùذ٠اÙدراسة Ùدرة "جÙسبرج" Ù٠تÙظÙÙ Ùصائد٠٠ستخد٠ا٠اÙÙÙÙ Ø© اÙÙ ÙØ·ÙÙØ© عÙ٠تØÙÙز اÙتØÙÙ Ù Ù Ø®Ùا٠٠عاÙجة اÙÙضاÙا اÙاجت٠اعÙØ© اÙÙ ÙØØ© بتأثÙر٠عÙ٠اÙ٠ست٠ع ÙÙض٠٠تÙاعÙ٠٠ع Ø£Øد اÙاستÙتاجات اÙت٠ÙÙ Ù٠أ٠Ùخرج بÙا Ùذا اÙبØØ« : Ù٠أ٠اÙÙÙÙ Ø© اÙÙ ÙØ·ÙÙØ© Ù٠أداة ÙÙتعبÙر اÙإبداع٠ÙÙد تÙÙ٠أÙضا ب٠ÙزÙØ© ÙسÙÙØ© ÙÙت٠ثÙ٠اÙداخÙÙ Ø Ù Ù Ø§ Ùؤد٠Ù٠اÙÙÙاÙØ© Ø¥Ù٠اÙع٠٠اÙاجت٠اع٠ÙاÙتغÙÙØ±Ø Ù٠ا تتجÙÙ Ùدرة " جÙسبرج " Ù٠د٠ج اÙأداء Ù٠اÙأدب اÙشعر٠٠ع اÙÙÙÙ Ø© اÙÙ ÙØ·ÙÙØ© ÙتشÙÙÙ Ù ÙØ§Ù Ø Ø£Ø³ÙÙب٠اÙشعر٠بجاÙب تأثÙر٠عÙ٠اÙج٠ÙÙر.
Authors and Affiliations
Ghada Mohamed Ali Mahran,Ashraf Ibrahim Zidan,
Keywords
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