Historie alternatywne w literaturze polskiej: typologia, tematyka, funkcje / Alternate History in Polish Literature: Typology, Subject Matter, Functions
Journal Title: Zagadnienia Rodzajów Literackich - Year 2016, Vol 59, Issue 2
Abstract
Alternate history, the type of fiction which describes worlds in which history developed differently than in reality, is often depreciated as a subgenre of science–fiction. Yet Polish alternate history novels are in reality an interesting commentary on polish culture, history and memory. In this paper I present the subject–matter of Polish alternate history novels, their functions and their relevance to Polish culture. In the first part I describe the history of counterfactual thinking and historians’ attitude towards it. In the second part, I emphasize that there are two types of alternate history. I name them “non-fiction” and “fiction”. Next, I provide the definition of alternate history. In the third part of the article I describe functions of alternate history novels. These functions show clearly that they are not created for entertainment only. On the contrary, they comment on important features of Polish culture.
Authors and Affiliations
Magdalena Wąsowicz
Wyobraźnia, empatia i twórcze pisanie / Imagination, Empathy and Creative Writing
The author analyzes the exercises in Polish creative writing guides, involving imagination, sensitivity and empathy. The article is an attempt to answer the question: what is the role of exercise in the stimulation of th...
Od warsztatów do debiutu, czyli jak się objawił talent poetycki Szymona Domagały-Jakucia
-
Cyfrowe adaptacje literatury / Digital Adaptations of Literature
This article discusses phenomenon of adaptation of literary works in a digital environment. The authoress indicates most important features of new projects using examples from a polish understanding: intermediality, meta...
Kryminał historyczny
-
Alliteration as a Means to Reinforce Orality in Conrad’s Early Marlow Narratives.
Joseph Conrad’s narratives featuring Marlow are composed as stories within stories, in which Marlow (the intradiegetic narrator) tells stories to his few listeners (the intradiegetic addresses). Critics have found analog...