KALIGRAFI ARAB DIGITAL AYAT AL-QUR'AN DI DUNIA MAYA
Journal Title: MIQOT: Jurnal Ilmu-ilmu Keislaman - Year 2016, Vol 0, Issue 1
Abstract
Abstrak: Kebudayaan Muslim memperkenalkan tradisi kaligrafi sebagai bentuk seni rupa Islam yang menggunakan ayat-ayat al-Qur’an sebagai fokus utama. Artikel ini hendak mengkaji kaligrafi Arab digital ayat al-Qur’an di dunia maya. Artikel menyimpulkan bahwa tradisi kaligrafi ikut berkembang seiring perkembangan ilmu pengetahuan dan teknologi. Para ahli kaligrafi mulai memanfaatkan dan menggunakan media komputer dan internet untuk mengembangkan khazanah kaligrafi. Sejauh ini ditemukan banyak situs internet yang telah mempublikasikan berbagai model kaligrafi digital dengan memakai berbagai ayat al-Qur’an. Ada dua jenis kaligrafi Arab digital, yaitu kaligrafi kontemporer yang bebas mengikuti perkembangan zaman, bersifat abstrak, menyesuaikan kondisi alam, benda dan makhluk hidup; serta qawa‘id yang sudah ada ketentuan dan patokan dalam penulisannya. Ada tujuh jenis yakni tsuluts, naskhi, farisi, diwani, diwani jali, kufi, dan riq‘ah. Kedua jenis kaligrafi telah memberikan kontribusi bagi kajian estetika Islam. Abstract: Digital Arabic Calligraphy of the Qur’anic Verses in Cyberspace. Islamic Civililation introduced calligraphy tradition as a form of Islamic art the main foculs of which mainly the verses of the as al-Qur’an. This article examines the digital Arabic calligraphy of of the Quranic Verses in cyberspace. This article found that calligraphy tradition have evolved along the development of science and technology. Through computer technology progress, calligraphers began to harness and use the computer and internet media to develop treasures of calligraphy. So far it was found that many internet sites that have published various models of digital calligraphy by using various verses of the al-Qur’an. From the data, it is known that there are two types of digital Arabic calligraphy. First is a contemporary calligraphy that looks freely with current development, abstract, the weather condition, objects and mortal. Second is qawa'id that having standards in writing. There are seven types namely tsuluts, naskhi, farisi, diwani, diwani jali, kufi, dan riq‘ah. Both types of calligraphy has contributed to the study of Islamic aesthetics.
Authors and Affiliations
Pujiati Pujiati
Keywords
Related Articles
- EP ID EP205175
- DOI -
- Views 122
- Downloads 0
RADIKALISME AGAMA DAN POLITIK DEMOKRASI DI INDONESIA PASCA-ORDE BARU
Abstrak: Artikel ini menganalisis kemunculan radikalisme Islam di Indonesia pasca-Orde Baru dalam kaitannya dengan politik demokrasi serta implikasinya terhadap kebijakan negara atas radikalisme. Dengan menggunakan pende...
EPISTEMOLOGI TAUHID AL-FARUQI
Abstract: Al-Faruqi’s Theological Epistemology. This writing discusses the concept of tauhid theological epistimology incorporated as part of al-Faruqi’s construction of Islamic studies. As a contemporary Muslim thinker,...
ANDALUSIA: SEJARAH INTERAKSI RELIGIUS DAN LINGUISTIK
Abstract: Al-Andalus (Islamic Spain): A History of Religious and Linguistic Interaction. Islamic Spain is a chapter of Islamic history that has alway been very interesting, not only because of its shocking beginning but...
TEOLOGI RASIONAL PADA PESANTREN TRADISIONAL: TELAAH KONSEP TEOLOGI PADA BUKU DARAS TEOLOGI DI PESANTREN MUSTHAFAWIYAH
Abstract: Rational Theology in Traditional Pesantren: An Analysis of Theological Concept of Theology Textbook in Pesantren Musthafawiyah. This essay tries to study whether the theological concepts that are written on the...
PENGARUH TAFSÎR AL-MANÂR TERHADAP TAFSIR AL-AZHAR
Abstract: The Influence of Tafsir al-Manâr on Tafsir al-Azhar. Tafsir al- Manâr is a masterpiece that has become a manifestation characterizes HAMKA’s thought and aspiration as a celebrated Muslim scholar and a man of le...