L΄artiste et ses perceptions: vers une nouvelle théorie de l΄art
Journal Title: Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy - Year 2012, Vol 4, Issue 1
Abstract
Konrad Fiedler, Sur l’origine de l’activité artistique, deuxième édition, traduit par Inès Rotermund, Sarah Schmidt, Werner Uwer, Sacha Zilberfarb, sous la direction de Danièle Cohn, Ileana Parvu. Paris: Editions Rue d’Ulm/Presses de l’Ecole normale supérieure, 2008
The possibility of a happy Fall
Jason A. Mahn, Fortunate Fallibility: Kierkegaard and the Power of Sin, Oxford, New York: Oxford University Press, 2011, 282 p.
Bergsonian Freedom and Responsibility
In the Essay Bergson defines personal expression as free. A free act is the expression of the conception of life found in a person’s experience of life. Given that it is different for everyone, it cannot be expressed in...
Nietzsche and the Paradoxes of Force
According to this paper, the Nietzschean notion of force actually consists of a number of paradoxes, which I seek to formulate through the philosophical problems they pose. These paradoxes revolve around this fundamental...
The Non-Dialectic of Tragic in Nietzsche’s Thinking
Considering the dialectical structure of tragic thought in classical philosophy, one can read Nietzsche’s conception of the tragic in a dialectical way. Reading Nietzsche's The Birth of Tragedy in this way is justified,...
L΄artiste et ses perceptions: vers une nouvelle théorie de l΄art
Konrad Fiedler, Sur l’origine de l’activité artistique, deuxième édition, traduit par Inès Rotermund, Sarah Schmidt, Werner Uwer, Sacha Zilberfarb, sous la direction de Danièle Cohn, Ileana Parvu. Paris: Editions Rue d’U...