Les émotions de l’eau dans la littérature sentimentale. Le cycle de Marie de Jean-Philippe Toussaint
Journal Title: Lublin Studies in Modern Languages and Literature - Year 2018, Vol 42, Issue 3
Abstract
The aim of this paper is to analyse diverse representations of water in Jean-Philippe Toussaint’s cycle of Mary and the textual effects they produce. Water is not only the crucial aspect of the represented world but also the key narrative component, which shapes the plot, creates nostalgic atmosphere and reveals the philosophical dimension of the novel classifiable as romance. Drawing on selected theories of elements, the paper examines the ways in which Toussaint uses the emotions carried by water to create intensity and depth in a novel about love.
Authors and Affiliations
Anna Maziarczyk
Chanter au singulier : esthétiques et politiques de la voix romantique
The article proposes a reflection concerning the connections between the voice representations or vocal practices, worked out towards the end of the Enlightenment period and in the first decades of the 19th century in th...
Renata Czaplikowska, Artur Dariusz Kubacki: Methodik des Unterrichts Deutsch als Fremdsprache. Lehr- und Übungsbuch für künftige DaF-Lehrende. Chrzanów: Wydawnictwo Biuro Tłumaczeń KUBART, 2016, s. 240.
Brak
Lo studio morfo-sintattico dei costrutti determinanti con il pronome dimostrativo variabile quello
The aim of the present paper is to review, describe and analyze determinant constructs, activated by the Italian variable demonstrative pronoun quello. The main corpus of the study consists on the discrimination and desc...
Variance in Phraseology
The article presents various approaches to the problem of variance in the context of Polish and French phraseology. As it follows from previously conducted research, the phenomenon of phraseological variance may encompas...
From a Gothic Text to a Neobaroque Cinema: Wojciech Jerzy Has’s Adaptation of James Hogg’s The Private Memoirs and Confessions of a Justified Sinner
The article discusses the journey of the gothic novel The Private Memoirs and Confessions of a Justified Sinner (1824) by James Hogg (1770-1835) from the repertoire of Scottish Romanticism to the neobaroque film adaptati...