Lexical-Stylistic Means Poetic Speech German Symbolist Poet
Journal Title: Вісник Житомирського державного університету імені Івана Франка - Year 2016, Vol 83, Issue 1
Abstract
Due to the increased interest of the study of the functioning of linguistic resources in different areas of speech lexical units are studied in terms of their stylistic significance. The purpose of the study is to analyse the lexical-stylistic means of the poetic language German Symbolist poets. Achieving this involves solving the following tasks: to identify lexical and stylistic means in German poetry Symbolist poets Stefan George, Hugo von Hofmannsthal and E. M. Rilke; interpretation of poetry in terms of stylistic significance. To lexical and stylistic means in our study belong metaphor, metonymy, comparison and epithet. Research material is Stefan George poem "Mein Garten ...", "Der Herr der Insel", "Komm in den Totgesagten Park ...", "Der Mensch und der Drud"; Hugo von Hofmannsthal "Die Ballade des Äußeren Lebens", "Vorfrühling", "Reiselied", "Über Vergänglichkeit", "Mache freilich ...", E. M. Rilke "Das Portal", "Der Dichter", "Blaue Hortensie", "Die Sonette an Orpheus", "Römische Fontäne", "Das Karussell", "Archäischer Torso Apollos", "Duineser Elegien". After analyzing the poems of German Symbolist poets Stefan George, Hugo von Hofmannsthal and Erich Maria Rilke we reached the following conclusions: the most frequent typical means of poetic speech of Symbolist poets are metaphor, metonymy, comparison and epithet. The data of Symbolist poet’s lyrics rich lexical and stylistic means. For poetic speech of German Symbolist poets are important these facilities; but collectively they contribute to a clear understanding of the lyrical content of the text. An important feature of poetic speech of Symbolist poets is the use of visual symbols. This kind of tradition is reflected in the features and use of lexical and stylistic tools.
Authors and Affiliations
N. G. Khodakovska
Keywords
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