MAGIC AS A SCIENCE OF IMAGINATION IN THE WORK OF IOAN P. CULIANU (1950–1991)

Journal Title: Studia Humanistyczne AGH - Year 2017, Vol 16, Issue 4

Abstract

The powerful spreading of new technologies and the mass media civilization have had a subtle, stealthy effect on the human imagination, a process that has its counterpart in external reality, in historical changes and in society. The role of imagination through historical changes was extensively explored by Ioan P. Culianu, a Romanian historian of religions and specialist in Late Antiquity and gnosticism, whose research was brutally interrupted by his assassination on May 21, 1991. He was shot to death around midday inside of a toilet at the Department of the Divinity School of the University of Chicago where he was teaching. He was only 41 years old. One of his main books is Eros and magic in the Renaissance (The University of Chicago Press, 1987), which has been translated into many languages and is probably one of the most complex and interesting 20th-century studies on magic. He points out that the working of fantasy was fundamental to comprehend magical processes in the Renaissance, since magic was primarily directed to affect human imagination through the manipulation of phantams (‘images’ in Greek). He has been also a pioneer in the study of the historical vicissitudes that caused imagination to change from a civilization based on magic, as in the Renaissance, to a modern one based on science. To the scholar, the transition from a magic-based society to a modern one is explicable primarily by a change in the imaginary. One of the purposes of this paper is to shed light on the work of Ioan P. Culianu, especially on his research on magic, which he carried out throughout his life. Particularly interesting are the articles published in the last period of his life (1990–1991), when he was trying to develop a new paradigm of knowledge in the Humanities, concentrating on the study of the mind. He was shaping an original but uncompleted theory where the ‘cognitive revolution’ was to be applied across and beyond the contexts of human science.

Authors and Affiliations

Roberta Moretti

Keywords

Related Articles

METAPHORIZATION OF CATEGORIES OF DISEASE FROM A PERSPECTIVE OF COGNITIVE LINGUISTICS

The primary way of presenting phenomena which are elusive for the senses, the mechanisms of which exceed our direct cognitive abilities (e.g. viruses, bacteria, infection, treatment) and those that require abstract think...

Dimensions variable - temporal aesthetics and the work of Pierre Huyghe.

In the framework of curator Nicholas Bourriaud’s radicant aesthetics, this essay explores the artwork of Pierre Huyghe who uses time as both his subject and his medium in practices of world-making and journeying to expre...

EMBLEMS AS HIEROGLYPHS OF THE IMAGINATION. THE BLACK SQUARE BY KAZIMIR MALEVICH

The article assumes a type of comparative-sensual experiment based on the concept of the esoteric emblem, and the form of artistic expression which is ‘The Black Square’ by Kazimir Malevich. By applying one concept to an...

POGRZEB BOHATERA KULTUROWEGO JAKO WYDARZENIE MEDIALNE. PRZYCZYNEK DO ANALIZY MITYCZNYCH OPOWIEŚCI O ŻYCIU I ŚMIERCI ZNANYCH POSTACI

THE FUNERAL OF CULTURAL HERO AS MEDIA EVENT. CONTRIBUTION TO ANALYSIS OF MYTHICAL STORIES ABOUT THE LIVES AND DEATHS OF WELL-KNOWN PERSONS The following text offers a preliminary analysis of stories about mythical heroes...

Families of non-heterosexual people with children - among old answers and new questions.

The aim of this paper is to present and analyse the available data concerning the situation of children of non-heterosexual people and to discuss selected areas of LGB parenting. The article enables an identification of...

Download PDF file
  • EP ID EP532591
  • DOI 10.7494/human.2017.16.4.59
  • Views 46
  • Downloads 0

How To Cite

Roberta Moretti (2017). MAGIC AS A SCIENCE OF IMAGINATION IN THE WORK OF IOAN P. CULIANU (1950–1991). Studia Humanistyczne AGH, 16(4), 59-67. https://europub.co.uk/articles/-A-532591